- Paperback: 432 pages
- Publisher: OUP Oxford; New edition edition (17 Jan 2002)
- Language English
- ISBN-10: 0192839764
- ISBN-13: 978-0192839763
- Product Dimensions: 19 x 12.8 x 2.2 cm
- Amazon Bestsellers Rank: 1,026,806 in Books (See Top 100 in Books)
The Marble Faun (Oxford World's Classics)
and over one million other books are available for Amazon Kindle .
Learn more
| ||||||||||||||||||||||||||||||||||||
Did you know you can trade in your old books for an Amazon.co.uk Gift Card to spend on the things you want? Plus, get an extra £5 Gift Certificate when you trade in books worth £10 or more before June 30, 2012. Visit the Books Trade-In Store for more details. |
Product details |
More About the Author
Product Description
Product Description
'any narrative of human action and adventure - whether we call it history or Romance - is certain to be a fragile handiwork, more easily rent than mended' The fragility - and the durability - of human life and art dominate this story of American expatriates in Italy in the mid-nineteenth century. Befriended by Donatello, a young Italian with the classical grace of the 'Marble Faun', Miriam, Hilda, and Kenyon find their pursuit of art taking a sinister turn as Miriam's unhappy past precipitates the present into tragedy. Hawthorne's 'International Novel' dramatizes the confrontation of the Old World and the New and the uncertain relationship between the 'authentic' and the 'fake', in life as in art. The author's evocative descriptions of classic sites made The Marble Faun a favourite guidebook to Rome for Victorian tourists, but this richly ambiguous symbolic romance is also the story of a murder, and a parable of the Fall of Man. As the characters find their civilized existence disrupted by the awful consequences of impulse, Hawthorne leads his readers to question the value of Art and Culture and addresses the great evolutionary debate which was beginning to shake Victorian society.
About the Author
Susan Manning has previously edited Scott's Quentin Durward, Washington Irving's Sketchbook and Crevecoeur's Letters from an American Farmer for OWC. Her books include The Puritan-Provincial Vision (CUP, 1990) and Fragments of Union (Palgrave, 2001).
Inside This Book
(Learn More)
First Sentence
FOUR individuals, in whose fortunes we should be glad to interest the reader, happened to be standing in one of the saloons of the sculpture-gallery, in the Capitol, at Rome. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt
FOUR individuals, in whose fortunes we should be glad to interest the reader, happened to be standing in one of the saloons of the sculpture-gallery, in the Capitol, at Rome. Read the first page
Explore More
Concordance
Browse Sample PagesConcordance
Front Cover | Copyright | Table of Contents | Excerpt
Tag this product(What's this?)Think of a tag as a keyword or label you consider is strongly related to this product.
Tags will help all customers organise and find favourite items. |
Customer Reviews
There are no customer reviews yet on Amazon.co.uk.
5 star
4 star
3 star
2 star
1 star
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
17 reviews
25 of 27 people found the following review helpful
Innocents Abroad
16 Mar 2002
Format:Paperback
_The Marble Faun_ concerns three young American artists, Miriam, Hilda and Kenyon, and their Italian faun-like friend, Donatello, whose characters are transformed while on their stay in Rome, the Eternal City. _The Marble Faun_ is very reminiscent of Henry James' novella, "Daisy Miller," where a young and innocent American woman falls under the deleterious spell of this European city. In fact, Hilda, while visiting one of its art galleries is warned by an old German artist to go back to America soon "or you will go never more...The air has been breathed too often, in so many thousand years, and is not wholesome for a little foreign flower like you, my child, a delicate wood-anemone from the western forest-land." Hilda witnesses a serious crime being committed by Donatello and Miriam (supposedly, neither of whom would have done so were it not for the evil influence of Rome's atmosphere) and becomes overwhelmed from ensuing feelings of guilt and depression. Despite her Puritan heritage, Hilda is compelled to unburden herself by seeking confession with a Catholic priest, who suggests that she convert to Catholicism. Hilda seriously considers, but decides to resist this transformation.
Hawthorne spends much of the novel in describing in detail Rome's architecture, its art galleries, churches, and its many other landmarks and shrines. When relevant to the story--especially in the author's depiction of the catacombs (from whence Miriam and Donatello commit their unforgivable deed), sunlight streaming through a church's stained glass windows, the extinction of a legendary flame standing before a lofty shrine, and the majestic bronze statue of a pope stretching out his hand in benediction--the effects are quite wonderful. However, a sizable portion of the novel is merely endless travelogue, which seriously detracts from this fairly well-told gothic romance. I did very much like Hawthorne's portrayal of carnival-time in Rome towards the end of the book, and the author's conversation with Kenyon and Hilda at the novel's conclusion is quite charming.
15 of 16 people found the following review helpful
Hawthorne's Best Novel
11 Aug 2001
Format:Paperback
I've always failed to understand why The Marble Faun has been overlooked for so long. Hawthorne did a masterful job of weaving together many different elements -- from mythological references and the retelling of The Fall, to Rome's amazing architecture and the beauty and power of art, and ultimately to some of the fundamental questions faced by humanity. He may have done this with such mastery and subtlety that not everyone picks up on the undercurrents of the text that hold this book together.
10 of 10 people found the following review helpful
Splendid 19th Century Travel Companion!
23 May 2001
Format:Paperback
Thinking about traveling to Italy? Wait! Do not leave behind your most useful travel companion. Disregard Rick Steve's and Let's Go. The Marble Faun was the premiere 19th Century travel guide to Rome and should be for the 21st century traveler. This book will lead you around the ancient city without skipping any of the awe-inspiring sights. For travelers after The Marble Faun's publication in 1860, the novel was a necessary item for their European escapades. Masterfully constructing his story around four distinct characters, Miriam, Hilda, Kenyon, and Donatello, Hawthorne takes the reader on an adventure which holds as much intrigue as the splendid landmarks these travelers encounter in their own journeys. For one who enjoys art and the discussion of art, this book will provide everlasting enjoyment. Indeed, Hawthorne captures the ex-patriot community of artists who settled in Rome during the 19th century in an attempt to associate themselves and their work with the Old Masters. Through Hawthorne's exceptional narrative, the reader gains further understanding of the mindset of copyists who wish to discover the true essence of such famous works as the faun of Praxiteles. This work experiments in its narrative form and one must be willing to flow with it. The chapters at times jump from different characters and events with out much warning to the reader. In addition, Hawthorne interjects his own point of view from time to time. If the reader is sensitive to this un-structure then they will have little trouble enjoying the mystery as well as the valuable description. Hawthorne changed the standards for American travel writing with this novel. Without it, Henry James, among others, may not have followed his lead. It is time The Marble Faun won the recognition it deserves!
Were these reviews helpful?
Let us know
Customer Discussions
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
Listmania!
Look for similar items by category
Look for similar items by subject
Feedback
- Would you like to update product info or give feedback on images?
- I am the Author, and I want to comment on my book.
- I am the Publisher, and I want to comment on this book.
