There must be over 250 photographs. Some of them you've seen a hundred times and some feel new. But never have they been reproduced so beautifully. Of course they have looked good illustrating articles in magazines or on the cover of a publication (slightly obscured by copy) but here they are shown in all their glory. Well selected and beautifully ordered within the book to surprise and excite as you turn the pages. And as well as the familiar faces there are photographs of the surroundings - the bleak unlovely and unloved Arndale shopping centre, the Hulme Crescents, the car-free terraced streets. But far more than a trip down memory lane, this book helps you to re-examine those key moments in British musical history from punk and new wave to the rave culture, Brit Pop and beyond.
The book is beautifully designed to include bits of ephemera dotted throughout the text. You feel you could pluck that Hacienda membership card from the page. And was it really so cheap to go to gigs? And the text, whilst written by people who worked with Cummins at the time he took the photographs, is not just a rehash of old pieces but instead each writer has taken the time and trouble to re-examine what the music and the pictures meant and what their legacy is. As a consequence the words add a totally new dimension to the photographs. Paul Morley's piece is a fascinating examination of himself at that time. Almost like eavesdropping a session with his therapist. But it's gorgeous and has such resonance. In a similar way, Stuart Maconie looks back and writes about himself with a sophistication he possibly didn't have at the time. The lad from Wigan hanging out with the big boys in Manchester. A fabulous read. And then the pieces by the musicians themselves offer another fascinating insight into what it all meant then and how they see it now. Johnny Marr comes across as the genius he is, Peter Hook sounds sad and angry. But not half as angry as Mark E. Smith.
But it is the pictures that tell their own story. And through them you can tell yours.