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11 of 11 people found the following review helpful:
4.0 out of 5 stars
This classic thriller firmly established Hitchcock's fame, 1 Jun 2005
It is hard to overstate the importance of this film, for The Man Who Knew Too Much catapulted Alfred Hitchcock into the ranks of the directing elite and did much to define the very genre of the suspense thriller. The fact that Hitchcock remade this 1934 film twenty-two years later should in no way be interpreted to mean that this original version is an inferior film. Hitchcock may have looked upon the original as the work of a "talented amateur," but critics and fans hail the film as a great success that showed the master truly coming into his own - thanks in no small part to his being given almost complete control of the project. The Man Who Knew Too Much is a very British film, as personified by the suave, cool, and urbane hero who keeps a stiff upper lip throughout his ordeal. And quite an ordeal it is, as he finds himself hip-deep in a diplomatic brouhaha that could conceivably start another war. It all starts innocently enough, on a family vacation in Switzerland. Bob Lawrence (Leslie Banks), his wife Jill (Edna Best), and their daughter Betty (Nova Pilbeam) are having a grand old time, even enjoying the company of a Frenchman, Louis Bernard (Pierre Fresnay). Then Bernard is killed (in a wonderfully subtle way), and his dying words charge Bob to find a hidden document in his room and take it to the British Consul. The bad guys, led by Abbott (Peter Lorre, in his first English-speaking role), are right behind him, though, and prevent him from delivering the important message by kidnapping his little girl. The Lawrences return to Britain without Betty; unable to tell the authorities the truth, Bob sets out to find and rescue his little girl on his own and stop the planned assassination of an important diplomat if he can - but his daughter's safety comes first. The film builds to a wonderfully suspenseful scene as the assassin takes his place, but the movie doesn't end there. The completely satisfying conclusion comes only after a protracted shootout between the cops and the bad guys. It's a wonderfully made film featuring a tight plot, a number of budget-friendly camera tricks (quite impressive for 1934), and great performances all around. Leslie Banks is wonderful as Bob Lawrence, but Peter Lorre pretty much steals the show. It has been many years since I saw the 1956 remake starring Jimmy Stewart and Doris Day, so I can't really compare the two versions of the film. Many Hitchcock fans have a special regard for the original, though, because this film provides us with a glimpse at the legend that is Hitchcock in the making. Even if you're not a Hitchcock fan (if that is even possible), watch it for Peter Lorre - he is nothing less than the icon of polite, soft-spoken villains.
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