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In addition to Godfrey saving the Bullocks from themselves, there is the romance between Godfrey and Irene, which in terms of the screwball comedy genre may well be the greatest example of the opposites attract school of romance since Powell's character never loses his dignity throughout the entire proceedings (compare with Cary Grant and Katharine Hepburn in "Bringing Up Baby") while Lombard practically glows throughout the film while babbling and dancing around the room. The chemistry between the two is evident, but still interesting, seeing as how Powell and Lombard had been married briefly a few years earlier. In addition to the screwball comedy elements, there is also some serious social commentary involved as well, reminding not only the high society of the film but the viewing audience that millions were out of work in 1936. Screwball comedies are supposed to deal with the eccentric and the whimsical, relying on sophisticated dialogue delivered at high speed and showing irreverence for situations that are usually serious, but "My Man Godfrey" keeps reminding us that there are homeless people are there starving to death, and somebody should be doing something about it. Still, the film delivers on the requisite romantic comedy, which is clearly what matters the most to audiences today.
As you would expect, this Criterion Collection edition of "My Man Godfrey" is loaded with extras that will enthrall a dedicated fan of the cinema. Film historian Bob Gilipin provides the insightful commentary track, which even has chapter titles (e.g., "Two Worlds Juxtaposed," "'Screwball Beguiles Rational Man'") as it looks at the film in the context of the entire screwball genre as well as the careers of the two stars and the director. The "Lux Raio Theater" broadcast of the film is provided as well, with Powell, Lombard, and Patrick reprising their film roles. We also find the trailer, a stills gallery, archival newsreel footage regarding the "forgotten man" and the Depression, and some outtake footage of the cast messing up lines and cursing (certainly a rare treat). "My Man Godfrey" received Oscar nominations for director La Cava, screenwriters Eric Hatch and Morrie Ryskind, Powell for Best Actor, Lombard for Best Actress, Mischa Auer (Carlo the freeloader) for Supporting Actor, and Alice Brady (Mrs. Bullock) for Supporting Actress. Powell won the Oscar that year, but for "The Great Ziegfeld" and not this film, although certainly it added momentum to his victory. One of the most successful screwball comedies of all time, "My Man Godfrey" was added to the National Film Registry in 1999.
Powell very competently plays his character, emphasising the butler's role as the only sane man in the asylum, while around him Lombard leaps and weeps to get his attention. The film ends rather quietly however, in contrast to the lunacy which precedes it, but all is resolved happily, nonetheless.
DVD quality is fair.
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