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Mali Music-Damon Albarn, [VINYL]
  

Mali Music-Damon Albarn, [VINYL] [Import]

Afel Bocoum, Damon Albarn, Ko Kan Ko Sata Doumbia, Toumani Diabate, Mali Music Vinyl
4.5 out of 5 stars  See all reviews (10 customer reviews)

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Product details

  • Vinyl (30 Nov 2007)
  • Number of Discs: 2
  • Format: Import
  • Label: Honest Jons
  • ASIN: B000ZYDROC
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Bestsellers Rank: 1,330,190 in Music (See Top 100 in Music)

1. Spoons - Symmetric Orchestre
2. Bamako City - Afel Bocoum
3. Relax - Simon Burwell
4. Nabintou Diakite [Live] - Nabintou Diakite
5. Makelekele - Damon Albarn, Alkibar, Afel Bocoum, Simon Burwell, Yoro Cisse, , Lobi Traoré
6. Djembe - Alkibar, Afel Bocoum, , Shakar Fani, Lobi Traoré
7. Tennessee Hotel - Damon Albarn, Ballo, Cass Browne, Simon Burwell, Junior Dan, , Nabintou Diakite,
8. Niger - Afro Caribbean Music Circuit, Damon Albarn, Alkibar, Afel Bocoum, , Junior Dan, , Bonkano Yattara
9. 4AM at Toumani's - Toumani Diabaté, ,
10. Institut National des Arts - Afro Caribbean Music Circuit, Damon Albarn, Simon Burwell, Junior Dan,
11. Kela Village - Djurr Tx'allo
12. Griot Village
13. Mogon - Damon Albarn, Junior Dan, Toumani Diabaté, , , Neba Solo
14. Sunset Coming In - Mali Music
15. Ko Kan Ko Sata Doumbia on River - Ko Kan Ko Sata Doumbia
16. Escrocs - Mali Music

Product Description

Amazon.co.uk Review

With Mali Music it's possible at last to see how Damon Albarn's foray into Africa has worked out: most members of what Albarn's friend Michael Nyman has dubbed the "world-music police" would probably be happy to give it a qualified thumbs-up. If some of the "Western" tracks are little more than an undifferentiated blur (no pun intended), the echt-Malian ones are a delight.

But it's what lies between that's interesting: what Albarn and his colleagues Afel Bocoum, Toumani Diabate and Ko Kan Ko Sata Doumbia have achieved is best described as "the music of place". In "Kela Village" you can almost see the celebrations going on amid the chirruping of birds and the croaking of frogs; "Bamako City" comes with bags of local atmosphere.

This CD was constructed in layers--after Albarn had edited down his 40 hours of raw material, he created collages with new melodies and beats and then sent his tapes back to Mali, where extra vocals and instrumental work were added. We thus get music that actually feels layered: a typical track will start with a simple groove on kora or ngoni, then it will acquire a voice, then some electronic effects, and it will finally be enveloped in a seductive miasma of local atmosphere.

Apart from some nifty Malian balafon and string work, there's nothing here of instrumental note--Albarn's instrument is a battered melodica--but that doesn't matter, because in this game the final effect is the thing. Disregard Albarn's pretentious guff about this representing the "Africanisation of Western music"--where does the boy imagine jazz came from?--but do regard this CD as a healthy omen. --Michael Church

fRoots, May 2002

Mali Music is based on the recordings made by Damon Albarn on an Oxfam-organised trip to Mali a couple of years ago. Rather than take the usual rushed celebrity approach, the Blur and Gorillaz man stayed for a few weeks and with his melodica in hand, played wherever he could (clubs gigs, village jams, on riverboats and in musicians' compounds) with anyone who would let him join in: Toumani Diabate, Lobi Traore and Kasse Mady to name but a few. The tapes were taken back to his West London studio, things were mixed and added and then it was back to Mali for further additions from the excellent Afel Bocoum. Perhaps surprisingly, this doesn't result in a self-indulgent mess. Albarn is clearly motivated by a love of Malian music but he's not afraid to mess with it when he feels the need. So that while some tracks (the self explanatory 4am At Toumani's for example) are pretty much unmucked around with, others feature twangy guitars, muted synth lines or the deep dubby bass of Junior Dan. Apparently the aim was to create a musical travelogue of Mali, but it's one filtered through a particular laid-back West London sensibility. Albarn mainly contents himself with orchestrating the whole thing and playing simple melodica melodies, with just the occasional understated vocal thrown in. The decision to involve Bocoum is a definite plus and all in all, Mali Music is pulled off with just the right mix of respect and inventiveness. --Jamie Renton

© fRoots Magazine all rights reserved


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Customer Reviews

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Most Helpful Customer Reviews
19 of 19 people found the following review helpful
By A Customer
Format:Audio CD
Thoes of you who like the way the first Manu Chao record makes you feel will like this. It mixes and matches new and old with great delight and at the same time effortlessly blends different worlds. They obviously had so much FUN making this record and you can hear it in every note. Damon's melodica may not be perfect, but would sound wrong somehow if it was. (Great to hear melodica being used in a starring role again too - Augustus Pablo, you are much missed...) This is a record to chill out to whilst wearing a big smile on your face. Life affirming!
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13 of 13 people found the following review helpful
Format:Audio CD
There's something for everyone here. You don't have to love world music to appreciate such songs as Sunset Coming On, whilst tracks like The Diembe and Niger, which mix dub reggae with laid back Malian vibes, prove irresistable. On top of these are a wealth of African sounds that will convert those unsure about what such music sounds like. Damon and friends are to be congratulated. They've managed to produce what will be an essential soundtrack of the summer for all those who buy this CD.
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9 of 9 people found the following review helpful
Superb Mali Music! 25 April 2002
By Laloux
Format:Audio CD
Do you need a change? Are you in the mood for something new and exotic? Well then, how does a trip to Mali sound? Good? Then let yourself be carried away by Mali Music, an album conceived and produced by Damon Albarn (leader of Blur and Gorillaz) and the musicians he befriended during his stay in Mali in July 2000. Let them take you along on their adventures, to the very places where Damon recorded over 80 hours of traditional music, accompanied at times by Damon's melodica and humming. This musical project (initiated by the Oxfam charity organization) represents the merging of two different musical landscapes. Damon edited and worked on the recordings in his London studio, enriching them with dubbing and electronic effects. The result is an eclectic album, a total of sixteen pieces marrying Malian and Western music, which takes the listener on a musical journey. A ride on the Niger River, a visit of Bamako's Institut National des Arts, and stops at the Kela and Griot Villages are all on the itinerary. You will be surprised and happy to discover how delightfully Toumani Diabaté's kora (a 21-cord harp), the njurka (a traditional violin), the balafon, the ngoni and the Griots' singing mesh with the piano, keyboards, guitars and electronic music. The 40-page booklet accompanying the CD is equally superb.

Do you wish to become acquainted to Malian music without getting bogged down by it? Opt for Mali Music then, the first release of Honest Jon's Records, a label founded by Damon Albarn and his friends from the Portobello Road record shop. Have a good trip!

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