This book has an enormous range, in style of photography, technique, and subject. The book has an introductory essay on the way the male form has been treated over the last 150 years or so, as well as short essays dealing with each chapter. The book moves more or less chronologically from the earliest photograph (Eugene Derieu, 1854)right through to the late 1990s.(eg: Jesse from Brooklyn, 1997, by Bruce Weber).
The idyllic countryside nudes of Thomas Eakins(1883) have a dreamlike,Alice-in-Wonderland quality to them,as do the Wilhelm Von Gloedin sepia images from 1900. In these images,the naked male body is treated in the same way as a painter would treat his model.There is no sexuality intended. The body is depicted as a beautiful creation of nature.Another example of this is the lovely sepia images of Tony Sansone,who in his lifetime was called "The most beautiful man in the world." A huge contrast to,for example, the full colour, fully erect images by Nan Goldin(1980),that appear towards the end of the book.
Other well-known artists who are represented here include Frank Eugene Smith, Edward Weston (1919), Cecil Beaton, Leni Riefenstahl, The Ritter Brothers (1932), pioneer of the male nude image George Platt-Lynes, Tony Lanza (gorgeous portraits of Steve Reeves from 1947), Bob Mizer, Jim French, Robert Mapplethorpe, Andy Warhol, David Hockney, and Herb Ritts.
There are also recent images by Tom Bianchi, and Vanity Fair-quality photographs by Bruce Weber. This book gives a thorough and varied look at the male nude,using examples from every decade since the 1850s. Excellent quality.