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Synopsis
The lyricist/librettist of The Fantasticks, the longest-running show in the history of the American theatre, here takes on a new role as guide through the magical world of the stage musical. He begins his tour with a brief history, tracing the musical's origins to the variety shows and operettas of the early 1900s. How to create a musical, whatever its style, is Tom Jone's concern in the longer second part of this book. He draws generously upon his own experiences, with composer Harvey Schmidt, in creating not only The Fantasticks but all their other shows. Together these musicals become a constant frame of reference as Jones explains how to get started, how to work with composers, set designers, and other collaborators, how to find the sparks for an effective lyric, how to create a musical rather than a play with music and how to go about getting it produced.
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Customer Reviews
Most Helpful Customer Reviews
9 of 9 people found the following review helpful
Format:Paperback
Finally, an insider has published a book giving a first hand account of the process of writing a musical. While the first half of the book covers the history of the American Musical very nicely, the second half does a superb job of guiding us through the difficulties in writing a musical.
Tom Jones leads us through what makes a musical, what the difference between lyrics and poetry is in song writing, and makes suggestions regarding how to find a collaborative partner and how to get your work produced.
I consider this to be a required text for anyone considering a collaboration on a musical.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
4 reviews
25 of 26 people found the following review helpful
"Fantastick" book! A must for musical theater fans!
22 Aug 1999
Format:Paperback
Finally, an insider has published a book giving a first hand account of the process of writing a musical. While the first half of the book covers the history of the American Musical very nicely, the second half does a superb job of guiding us through the difficulties in writing a musical.
Tom Jones leads us through what makes a musical, what the difference between lyrics and poetry is in song writing, and makes suggestions regarding how to find a collaborative partner and how to get your work produced.
I consider this to be a required text for anyone considering a collaboration on a musical.
4 of 4 people found the following review helpful
Do not collaborate before reading this book
10 Jan 2005
Format:Paperback
Tom Jones' MAKING MUSICALS is taken from a series of lectures Jones gave for a class in writing musicals. I found this little book very interesting and full of good advice. Jones doesn't pretend to tell you everything you need to know to write a musical or give specific techniques to write a hit. He's merely passing on what he has learned in his very long career as a writer of musicals. (He started in the 50s writing nightclub revues before hitting paydirt with the American theatre's longevity champ, THE FANTASTICKS, which ran an astounding 42 years.) He gives a brief overview of the history of musical comedy and some basics about getting started on writing your own musical. A lot of this information is available in other books, but what really sets Jones' book apart is the chapter on collaboration. Mr. Jones ought to know a thing or two about collaboration since he and composer Harvey Schmidt had a collaboration that lasted from the 1950s into the 21st Century, when Schmidt chose to retire. Jones tells how to choose a collaborator as well as how to make a good collaboration last. This chapter ought to be mandatory for all aspiring collaborators. (I wish I had read it before my own ill fated attempt at collaboration!) While hardly comprehensive, this is an excellent little book. Four stars.
Great book
25 Mar 2012
Format:Paperback
I very much enjoyed this book about how to write musicals. I have always toyed around with writing songs...and people tell me they sound like show tunes. So, I bought this book to learn more about the craft..
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