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Making Comics
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More About the Author
Product Description
Product Description
In a voice that mixes dry humor and clear, concise instruction, McCloud's cartoon narrator shows readers how to master the human condition through word and image in a brilliantly minimalist way. Comic book devotees as well as the most uninitiated will marvel at this journey into a once-underappreciated art form.
About the Author
Brilliant instruction on how to actually create this widely beloved art form. Scott McCloud tore down the wall between high and low culture in 1993 with Understanding Comics, a massive comic book about comics, linking the medium to such diverse fields as media theory, movie criticism, and web design. Now in Making Comics, McCloud focuses his analysis on the art form itself, exploring the creation of comics, from the broadest principles to the sharpest details (like how to accentuate a character's facial muscles in order to form the emotion of disgust rather than the emotion of surprise.) And he does all of it in his inimitable voice and through his cartoon stand-in narrator, mixing dry humor and legitimate instruction. McCloud shows his reader how to master the human condition through word and image in a brilliantly minimalist way. Comic book devotees as well as the most uninitiated will marvel at this journey into a once-underappreciated art form.
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Customer Reviews
Most Helpful Customer Reviews
41 of 42 people found the following review helpful
Another McCloud book to get excited about, and to get you inspired about your own comics!
6 Nov 2006
Format:Paperback
Scott McCloud scores again with another incredibly intelligent non-fiction comic! In Understanding Comics he wrote a groundbreaking literature analysis that unveiled the mysterious inner workings of comics - in can't-put-it-down attractive comic format! Making Comics is another important book for comics in general, its chapter topics are of immediate relevance, with lots of solid practicals.
There are stacks of "how to draw" books out there, but McCloud's applies his rare talent in the witty presentation of diligent research. Making Comics conveys years of reading, pattern-deducing and theorising, digging into fine art composition techniques, the psychology of involving the reader of comics, the life cycles of genres and loads more. I may risk giving the impression that this is an academic, highbrow or out-of-touch book. Again, it's very practical.
The reader can learn so much, yet it's impossible to liken it to a textbook because it's so fun! However, for those truly getting serious, at the end of each chapter is an invaluable new "Notes" section, which includes optional exercises to do. These are often group activities, benefiting circles of enthusiasts or art teachers and media courses.
McCloud uses the artwork in the format to demonstrate each point. Frequently he uses examples from other comics, but the artwork is predominantly his own which (despite his self-humbling comments) is skillful and clear. As the book explains how, words and pictures together act as more than the sum of their parts to get across deeper messages about emotions, sensations, craftsmanship and more. This book clearly charts the way towards barely explored territories among the endless possibilities of comics making. It also imparts the know-how for readers to confidently set out on their personal journey to get there! I think every reader is going to catch some inspiration from Making Comics, and be itching to start creating new comics by the end!
Manga fans should find this book invaluable, with a small ten-page section devoted specifically to comics from Japan. This contains eight specific manga features, and they're a far cry from big eyes and cute (this book is about substance, not surface remember!) The take on shojo (target audience is girls) and shonen (manga for boys) genres is a breath of fresh air, despite brevity. This sounds like very little, but the entire volume is as applicable to manga as to comics from any other culture. (Popular manga artwork in the examples crops up from introduction to ending.)
As my main complaint about this book, the strength of being practical leave me missing McCloud's intellectual flights in Understanding Comics somewhat. This reader was awed by Understanding Comics and the sense of enlightenment sparking from each page. This is a different kind of book. The earlier book is about history, purpose, the human mind, the future; this presents an approach to drawing faces, how attention to environments contributes to your work, pitfalls to avoid when placing text in a word balloon... However, it is an unbefitting grumble that its content is comparatively mundane. I reckon Making Comics is every bit as brilliant as Understanding Comics - instead of satisfying a hunger for knowledge, it will come into its own as a companion in MAKING COMICS.
There are stacks of "how to draw" books out there, but McCloud's applies his rare talent in the witty presentation of diligent research. Making Comics conveys years of reading, pattern-deducing and theorising, digging into fine art composition techniques, the psychology of involving the reader of comics, the life cycles of genres and loads more. I may risk giving the impression that this is an academic, highbrow or out-of-touch book. Again, it's very practical.
The reader can learn so much, yet it's impossible to liken it to a textbook because it's so fun! However, for those truly getting serious, at the end of each chapter is an invaluable new "Notes" section, which includes optional exercises to do. These are often group activities, benefiting circles of enthusiasts or art teachers and media courses.
McCloud uses the artwork in the format to demonstrate each point. Frequently he uses examples from other comics, but the artwork is predominantly his own which (despite his self-humbling comments) is skillful and clear. As the book explains how, words and pictures together act as more than the sum of their parts to get across deeper messages about emotions, sensations, craftsmanship and more. This book clearly charts the way towards barely explored territories among the endless possibilities of comics making. It also imparts the know-how for readers to confidently set out on their personal journey to get there! I think every reader is going to catch some inspiration from Making Comics, and be itching to start creating new comics by the end!
Manga fans should find this book invaluable, with a small ten-page section devoted specifically to comics from Japan. This contains eight specific manga features, and they're a far cry from big eyes and cute (this book is about substance, not surface remember!) The take on shojo (target audience is girls) and shonen (manga for boys) genres is a breath of fresh air, despite brevity. This sounds like very little, but the entire volume is as applicable to manga as to comics from any other culture. (Popular manga artwork in the examples crops up from introduction to ending.)
As my main complaint about this book, the strength of being practical leave me missing McCloud's intellectual flights in Understanding Comics somewhat. This reader was awed by Understanding Comics and the sense of enlightenment sparking from each page. This is a different kind of book. The earlier book is about history, purpose, the human mind, the future; this presents an approach to drawing faces, how attention to environments contributes to your work, pitfalls to avoid when placing text in a word balloon... However, it is an unbefitting grumble that its content is comparatively mundane. I reckon Making Comics is every bit as brilliant as Understanding Comics - instead of satisfying a hunger for knowledge, it will come into its own as a companion in MAKING COMICS.
10 of 10 people found the following review helpful
Format:Paperback
I devoured this book. This isn't about drawing, it's about mastering:
* Story-telling - what triggers empathy, what persuades, how to hold attention
* Explicit / implicit - the balance between what is said & shown, and what the reader must bring to fully render the scene
* Words and images - and their delicate relationship
* Character creation / world creation
* Mastering expressions, gestures, body language
* Clarity vs intensity
... and then there's all the technical stuff about which tools and mediums to consider. AND he throws in a healthy dosage of philosophy, culture, the history of visual commuication.
This books covers a massive terrain, but does so with delightful clarity. The medium truly is the message here; with every point made Scott makes the best choice of framing, gestures, balance of words/images, symbols, pacing...
By the way, I never even liked comics.
* Story-telling - what triggers empathy, what persuades, how to hold attention
* Explicit / implicit - the balance between what is said & shown, and what the reader must bring to fully render the scene
* Words and images - and their delicate relationship
* Character creation / world creation
* Mastering expressions, gestures, body language
* Clarity vs intensity
... and then there's all the technical stuff about which tools and mediums to consider. AND he throws in a healthy dosage of philosophy, culture, the history of visual commuication.
This books covers a massive terrain, but does so with delightful clarity. The medium truly is the message here; with every point made Scott makes the best choice of framing, gestures, balance of words/images, symbols, pacing...
By the way, I never even liked comics.
5 of 5 people found the following review helpful
Format:Paperback
This.
Is.
Great.
Now let me explain why:
I remember picking up this book ages ago, taking one look at the cartoony interior and putting it back on the shelf. I was very much unimpressed with the drawing style inside and it was far beneath my discerning tastes.
Of course...I was an idiot back then.
Now being a little bit older and a lot wiser, I've finally cottoned on to what exactly this book is about.
It's not there to teach you how to draw, there are a gazillion other ways to learn how to do THAT, this is here to teach you how to 'draw words and write pictures' and it delivers on that promise and then some.
You can take this book in two ways. You can either; a) dip in here and there and extract the bits of information that you need (though i would recommend reading it all once through at least once) or b) take it as it was intended and work through it as you would any other course. Each chapter is similarly laid out to a tutor's lecture and it followed up with a set of 'homework' assignments.
Sounds boring and a lot of hard work but -hey- if you're doing comics, hard work is the way to go. The effort is worth it. Nearly everything in this book is just the sense your mother raised you with but you will find yourself reading it and saying "oh, RIIIIIGHT...". It makes sense of things that can otherwise be undefinable and helps you learn things that you might otherwise have dismissed as being purely instinctive and impossible to learn.
I could go on like this for quite some time, but i do beleive there is a word limit, so i shall finish with this:
If you're serious about getting into comics and learning the art for what it is -seemlessly combining good writing with good art- then you need this book.
BUY IT!
Is.
Great.
Now let me explain why:
I remember picking up this book ages ago, taking one look at the cartoony interior and putting it back on the shelf. I was very much unimpressed with the drawing style inside and it was far beneath my discerning tastes.
Of course...I was an idiot back then.
Now being a little bit older and a lot wiser, I've finally cottoned on to what exactly this book is about.
It's not there to teach you how to draw, there are a gazillion other ways to learn how to do THAT, this is here to teach you how to 'draw words and write pictures' and it delivers on that promise and then some.
You can take this book in two ways. You can either; a) dip in here and there and extract the bits of information that you need (though i would recommend reading it all once through at least once) or b) take it as it was intended and work through it as you would any other course. Each chapter is similarly laid out to a tutor's lecture and it followed up with a set of 'homework' assignments.
Sounds boring and a lot of hard work but -hey- if you're doing comics, hard work is the way to go. The effort is worth it. Nearly everything in this book is just the sense your mother raised you with but you will find yourself reading it and saying "oh, RIIIIIGHT...". It makes sense of things that can otherwise be undefinable and helps you learn things that you might otherwise have dismissed as being purely instinctive and impossible to learn.
I could go on like this for quite some time, but i do beleive there is a word limit, so i shall finish with this:
If you're serious about getting into comics and learning the art for what it is -seemlessly combining good writing with good art- then you need this book.
BUY IT!
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Most Recent Customer Reviews
Great Book
If you want to know more than just the barebones about comics then this is the right book. An intelligent and creatively visual book that, if nothing else, makes you not just want... Read more
Published 2 months ago by zammo
"understanding comics" vs. "making comics"
McCloud's "Making Comics" is more useful in suggesting improvements of comics writing, storyboards or whatever your trade happens to be. Read more
Published 4 months ago by Z. Pär-ola
Fantastic book - buy it if you love comics
Loved it! Read it after borrowing 'Understanding Comics' by the same author. This is a thoroughly engaging book about the craft of comics, thoughtful, thorough, beautiful and a... Read more
Published 12 months ago by Tina P
Pow, Wow, Splendifirific!
Not finished reading this book yet, I am absorbing every little bit like a good meal. I would say, in my limited experience, if you have an interest in making comics, skip the... Read more
Published 12 months ago by M. Simmons
Very informative, great introduction to the subject.
Being rather new to the comics world (I only started reading them more steadily last year), I was eager to know more about the medium, and various online searches kept pointing to... Read more
Published on 13 May 2010 by Sofia Romualdo
informative but overanalysing
This was a book I needed for my course. It is set out brilliantly and scott mccloud makes a real effort to have the reader feel involved while reading this book. Read more
Published on 19 Aug 2009 by Miss A. Phillips
A review after 15 pages
It seems insane to write a review having read only 15 pages, but I am so blown away by this book I have decided to do just that. Read more
Published on 20 Oct 2008 by Richard Pascoe
Great Look at How Stories and Art Combine into the Comics You Love
I've always found it fascinating to imagine how a comic book author/illustrator creates the stories and images that appeal so much. Read more
Published on 7 Aug 2008 by Donald Mitchell
Awesome
Back in the 90s Scott McCloud's Understanding Comics became a seminal text in the field of comics theory, and he has repeated his achievement for comics practice in the noughties... Read more
Published on 13 May 2008 by W. Bailey
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