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Most of Cope's poems confirm popular notions of what poetry should be--rhyming, accessible and direct. In "Rondeau Redouble", she's back laughing as though the hurt never happened at all. "There are so many kinds of awful men /One can't avoid them all. She often said / She'd never make the same mistake again: She always made a new mistake instead." --Cherry Smyth --This text refers to an out of print or unavailable edition of this title.
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That she chooses to do so with wickedly humour by parodying poetic forms and poets themselves (play the man, not the ball!) adds further emphasis to the moments of revelation unveiled with materful economy.
Mastery of technique is required to deliver first-rate parody, so it is to Cope's eternal credit that her skill is fulfilled with such a light touch. Cope's verse is charming but sly and frequently underestimated.
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