In Arabic, the word 'Makbara' refers to those parts of North African cemeteries where young couples go to get away from their elders and hang out. A celebration of Amour Fou, Makbara reveals Goytisolo's deep love for Arabic culture seen as sensuous and lewd in contrast to the drab sterility of the West. In a series of scenes, pastiches and travelling shots, Goytisolo exposes cultural, sexual and political oppression. The author's message is of liberation through sex which, as he says, 'is above all freedom'.
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"It is natural that Goytisolo should immediately bring Joyce, Malcolm Lowry, Beckett and even Nabokov to mind... he is fully worthy to be considered among the major innovators of our time." -- V.S. Pritchett
--This text refers to an out of print or unavailable edition of this title.
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An ode to love and freedom, by the Man Booker International 2011 finalist Juan Goytisolo
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in the beginning was the cry: alarm, anguish, terror, chemically pure pain? Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
in the beginning was the cry: alarm, anguish, terror, chemically pure pain? Read the first page
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8 of 16 people found the following review helpful
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This is Goytisolo's best work to date.
9 July 1998
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Format:Paperback
First published in 1980, Makbara demonstrates a radical use of linguistic and structural experimentation. Now that Goytisolo has loosened his ties to his mother country (since completing the Mendiola trilogy), his search for his "authentic self" is challenged by the indomitable formalizations of the spoken language. The pleasure of reading Makbara comes from a reading which does not depend on such linguistic verbal formalities, and deciding whether other forms of communication are possible. This novel is intricate and challenging on all levels in accord with Goytisolo's intent that his writing is not for everyone to read.
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