- Audio Cassette (17 Oct 1990)
- Number of Discs: 1
- Format: Import
- Label: Shanachie
- ASIN: B00000EWIW
- Other Editions: Audio CD
Jubilee Offer: Patriot Classics for £2.50 |
Product details
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Track Listings
| 1. Blackwaterside |
| 2. Nacht Tanz/Shaeffertanz |
| 3. Maid in Bedlam |
| 4. Gypsy Dance/Jews Dance |
| 5. John Barleycorn |
| 6. Reynardine |
| 7. My Johnny Was a Shoemaker |
| 8. Death and the Lady |
| 9. Battle of Augrham/5 in a Line |
| 10. Talk About Suffering |
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8 reviews
14 of 14 people found the following review helpful
Exceptional - The John Renbourn Group's Best Recording . .
7 Sep 2002
Format:Audio CD
. . . And, by the title of this review, I want to note that I am saying something really special. John Renbourn, acoustic fingerstyle guitarist extraordinnaire, rarely makes a misstep, particularly when it comes to the medieval English Folk Music he has created over the years. Renbourn recorded five masterpieces of this genre with his John Renbourn Group, including three pure studio releases, a live CD, and a best-of collection. "A Maid In Bedlam" is probably the strongest of these releases.
This disc features the bell-clear vocals of Jacqui McShee, Renbourn's former colleague in the Folk-Jazz outfit, Pentangle, along with musicians who play flute, fiddle, mandolin, and tabla (Yes! Indian tabla!), all of whom are extraordinary in their own right. The band's playing is crisp and clear throughout.
Highlights include the following: "Black Waterside" (which Led Zeppelin once recorded instrumentally under the title "Black Mountainside"). This song is intriguing in that it explores the jilted lover concept from the woman's point of view, which was very unusual in medieval times; "A Maid in Bedlam", which features a simultaneously melodic and rhythmic melody accompanying lyrics about a woman in an insane asylum. This song is the most likely to catch your ear. It may even be considered the first medieval English rap song; "Talk About Suffering", a four-part acappella church song with heartfelt lyrics, encouraging Christians to put their beliefs into action.
There are other, equally excellent songs, on this CD, which may actually interest not only English Folk Music purists, but also (believe it or not) people who enjoy Heavy Metal and Classic Rock. The reason is that the scales used in this music are very similar to those employed in some Heavy Metal music (witness Yngwie Malmsteen and Ritchie Blackmore), and Classic Rock groups like Jethro Tull have tread this ground over and over for years. Other people will just appreciate this disc's gorgeous melodies and classy musicianship. "A Maid in Bedlam" is simply terrific.
10 of 10 people found the following review helpful
Exceptional Collection of British Folk Music
2 Dec 2000
Format:Audio CD
Originally released (on LP) in 1977, this is the first and finest album album by the John Renbourn group. In addition to Renbourn as one of the best fingerstyle guitarists around, the band is rounded out with former Pentangle vocalist Jacqui McShee, Sue Draheim (fiddle), Tony Roberts (flute, recorders, oboe, piccolo) and Keshave Sathe (tabla and finger cymbals).
While the tabla adds an Eastern sound to the music, this is traditional British folk music at its finest. The opening cut is the traditional "Black Waterside" arranged by Renbourn with a heavenly vocal provided by McShee. [Along with Sandy Denny, McShee is my favorite British female vocalist.] Other standouts include the title track (another McShee vocal), "John Barleycorn," "Reynardine" and a stunning a cappella rendition of "Talk About Suffering." [If you are not deeply moved by that song, you might want to check your pulse...there's a good chance you're dead!]
The John Renbourn Group went on to record two more albums (with John Molineux replacing Sue Draheim), but if you can only afford one, this is it. There is not a weak track on the album. ESSENTIAL
7 of 7 people found the following review helpful
A quiet masterpiece
6 Jun 2001
Format:Audio CD
This is one of my favourite Sunday morning records. Despite the table gently clicking away in the background, this is one of the most English records you'll ever hear. Renbourn is a total master of his instrument, the material is choice (if it's slightly lacking in really strong, individual compositions -- this is the man who wrote 'So Clear', after all), and the presence of old Pentangle cohort Jacquie McShee on vocals is icing on the cake. From start to finish, A Maid In Bedlam conjures up an atmosphere all its own. English folk at its best, and one of a handful of Renbourn classics.
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