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Abbado new performance on the ninth is a really great one, different and special. Through the darkness lines he bring a real feeling of "dark lane" but he also find the "latent beauty" lines. In this way he seems closer to Horenstein LSO recording on BBC Legends (coupled with Mahler Kindertotenlieder) and to Zander Philharmonia recording on Telarc. Zander Adagio (the fourth movement) is about two minutes slower then Abbado, at 27'44" he is one of the length on record. Horenstein is also close to zander in his LSO recording for BBC Legends and even slower then Zander in his version for Music & Arts. Abbado is in the same class and he delivers the Adagio with great clarity. There is depth and sorrow and the feeling of being into the "edge". The Andante Comodo is impressively place by Aabbado; show understanding from highest order. Through the inner movements Abbado manage to build a strong basis to the Adagio. The Scherzo is gauged superbly and the amazing respond that the Berlin forces can offer brings a true feeling of exploring truth. The third movement Rondo Burleske is quite quick but since abbado has already achieved to put a strong momentum through the first two movements he doesn't lose even a slight of attention. Here also the strings shin beautifully.
The sound is close and well balanced so the instrumental details sound clearly. At times there are audience noises at the background (espeasily at the quietly passages) but they really don't interrupt. The reaction of audience themselves at the end of the performance edited in.
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