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  • Mahler: Symphony No 4; 3 Lieder from Des Knaben Wunderhorn
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Mahler: Symphony No 4; 3 Lieder from Des Knaben Wunderhorn

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“Harding drives music hard. The energy levels are high. And that’s a good jumping-off point. It’s infectious . . . Technically, Harding cannot be faulted. His way with transition is skilful, his ear is keen, his preparation exhaustive.”
The Independent (London)

Born in Oxford in 1975, Daniel Harding began his ... Read more in Amazon's Daniel Harding Store

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song TitleArtist Time Price
  1. Symphony No. 4 in G: I. Bedächtig, nicht eilen - Recht gemächlichDaniel Harding/Mahler Chamber Orchestra16:36Album Only
  2. Symphony No. 4 in G: II. In gemächlicher Bewegung. Ohne HastDaniel Harding/Mahler Chamber Orchestra 9:14£0.99  Buy MP3 
  3. Symphony No. 4 in G: III. Ruhevoll (poco adagio)Daniel Harding/Mahler Chamber Orchestra23:09£0.99  Buy MP3 
  4. Symphony No. 4 in G: IV. Sehr behaglich "Wir genießen die himmlischen Freuden"Daniel Harding/Mahler Chamber Orchestra/Dorothea Röschmann 9:28£0.99  Buy MP3 
  5. Des Knaben Wunderhorn (excerpts): Das irdische LebenDaniel Harding/Mahler Chamber Orchestra/Dorothea Röschmann 2:44£0.99  Buy MP3 
  6. Des Knaben Wunderhorn (excerpts): Lob des hohen VertandsDaniel Harding/Mahler Chamber Orchestra/Dorothea Röschmann 2:30£0.99  Buy MP3 
  7. Des Knaben Wunderhorn (excerpts): Wo die schönen Trompetten blasenDaniel Harding/Mahler Chamber Orchestra/Dorothea Röschmann 6:51£0.99  Buy MP3 

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Most Helpful Customer Reviews on (beta) 2 reviews
4 of 4 people found the following review helpful
Daniel Harding Conducts Mahler - A Welcome Union 5 Aug. 2005
By Grady Harp - Published on
Format: Audio CD
Daniel Harding is one of the young conductors (he is in his mid-twenties) making solid performances guest conducting with some of the major orchestras (Harding's recent performance of the Mahler 10th with the Los Angeles Philharmonic was most impressive!). Here he conducts the Mahler Chamber Orchestra in a fresh, buoyant, appropriately youthful and joyous reading of Mahler's Fourth Symphony.

Harding's approach to Mahler is one of clarity of detail, simplicity of line, and a very fine sensitivity to phrasing: few conductors his age can match his perfectly timed rallentandos. The movements literally sing in this most gravity defying of Mahler's symphonies. And his choice of Dorothea Röschmann for the soprano who intones the solo lines of the fourth movement is exactly right.

As an added bonus Harding offers three more excerpts from Mahler's 'Des Knaben Wunderhorn' - Das Irdische Leben, Lob Des Hohen Verstandes, and Wo Die Schonen Trompeten Blasen - in which he demonstrates an excellent collaboration with Dorothea Röschmann whose warmly accurate voice and innate identification with these songs is apparent. The recorded sound is excellent.

Daniel Harding is a young conductor to watch. He seems to have musical intelligence that matches his podium charisma, and he knows how to communicate his thoughts to orchestras. Highly Recommended. Grady Harp, August 05
2 of 4 people found the following review helpful
A potentially great conductor gives us a delicate, engaging Mahler Fourth 22 May 2006
By Santa Fe Listener - Published on
Format: Audio CD
The eminent musicians who have taken up the cause of rising conductor Daniel Harding include Rattle, Abbado, Henze and Boulez. They began to notice him while he was still in high school. The blonde English wunderkind conducted the Berlin Phil. on short notice when he was 21 and also became the youngest conductor to lead a Proms concert in Lodnon. Clearly everyone expects great things from him, and now that he is all of 30 (thirteen years after becoming Simon Rattle's assistant in Birmingham) Harding's repertoire extends from period-inspired Beethoven and Mozart to Britten, Szymanowski, and Turnage. Quite the enfant moderne of the podium.

Here, Harding impresses with a terrific, warmly musical account of the Mahler Fourth with reduced forces. You can't expect to make this music sound like full-fledged Mahler without his full orchestration. Harding doesn't try to--he replaces emotional depth with scampering counterpoint, a singing line, and buoyant optimism--Mahler in the world of Mendelssohn. It works beautifully on its own terms. The Adagio is very slow (23 min. compared to Klemperer's 18 min.), and even though Dorothea Roschmann sounds a bit clumsy and heavy in the finale, the whole project is quite a success. And an augury of Harding's future, no doubt.
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