With SACD"s only achieving a moderate success, mainly because you needed special equipment to play them, and only a small percentage of listeners interested in audiophile quality (the same goes for Audio DVD',an equal contender in the high-quality audio stakes), we have wondered what suitable audiophile format would appear to replace these. Now we have it.
ownership of blu-ray players is eventually going to be almost universal, as they play every disc format (except in many cases, Audio DVDs and/or SACDs as they are overshadowed by this format), and as blu-ray player sales increase as they are the only system around that can provide good digital vision and sound, so the prices will drop. That disposes of the technical side, with this release revealing itself as having the best sound I have heard.
But, what of the performance? That is why we purchase these releases. Good sound doesn't make up for a poor performance. I am not going to enter into a deep analysis of the performance, but I will say that, subjectively, this is the finest performance of the other 5 I have (Haitink, Nagano, Gergiev and my favorite, Horenstein, recorded in 1959, also Zinman on an unexpectedly good set on Hybrid SACD with a completed 10th, the 5-movement version of the first and a documentary DVD). Individuals have so many varied expectations of a Mahler performance, that it is really impossible to write an analysis that will explore various points of view in a satisfactory way without writing a book. So I will just say that I enjoy all the performances I have to some degree or other, as each conductor has something different to say. But, until this Naxos release, Horenstain has been my favoured Mahler interpreter (although not entirely consistent) and the sound on his early stereo recording of the 8th is surprisingly well-engineered, and reveals an excellent performance. But this release, under the wonderful conducting of Anton Wit (a conductor that gets less recognition in the English speaking countries than he deserves, compared to his recognition in central Europe and surrounds) hits you from the first bars. You know right away that you are in for a very special performance, with recording quality and balances beyond reproach, that lets you hear this performance at top quality. Wit has revealed himself, through Naxos, as an excellent conductor (try his Alpine Symphony as an example). So I will let comments on the performance rest with, that for me, it is the best I have heard. I regret not going into the interpretation, but I have explained that above.