"This entirely idiomatic and very satisfying performance has the double benefit of magnificent, middle-of-the-hall sound and the incomparable San Francisco Symphony. Enthrawling."
"This is the finest Mahler's 4th available - for two reasons: the VPO strings are unmatched in the Viennese idiom and Kathleen Battle was sent from heaven to sing the fourth movement."
"Leonard Bernstein can be very eccentric in Mahler, but his eccentricity works to our benefit in Mahler's most inaccessible symphony. A triumph from Trauermarsch to Rondo-Finale!"
"I cannot agree with people who dislike Mahler's 6th symphony; I love it, and especially Sir Simon's uncompromising Birmingham Symphony performance. Oh, Alma!"
"Speaking of stunning, Claudio Abbado, his dream cast (of seemingly thousands!) and the BPO will make you wish that you too lived in Berlin. Unforgettable!"
"Das Lied is extremely personal and everyone will have their favourite recording and simply loath others. My heart fell unreservedly for Baker, Kmentt and Kubelik. Cuique suum!"
"Most of Mahler's 10th symphony is only a breath away from the inevitable atonal sound-world of Webern, Schönberg and Berg. Michael Gielen & Co. oblige brilliantly!"
"Dame Janet Baker is arguably the greatest singer of Mahler Lieder that has ever lived. I have no doubt that you will soon find yourself agreeing with me."
"Not to complain (pun intended), but Mahler's earliest published work has never struck a lasting chord in my mind. If you must hear this, Chailly's RSO Berlin recording will be the most endearing."