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The Magus (Picador Books) Paperback – 8 Jul 1988


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Product details

  • Paperback: 656 pages
  • Publisher: Picador; New ed of 2 Revised ed edition (8 July 1988)
  • Language: English
  • ISBN-10: 0330299263
  • ISBN-13: 978-0330299268
  • Product Dimensions: 19.4 x 12.8 x 4.8 cm
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (128 customer reviews)
  • Amazon Bestsellers Rank: 1,058,732 in Books (See Top 100 in Books)

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Review

"A major work of mounting tensions in which the human mind is the guinea-pig... Mr Fowles has taken a big swing at a difficult subject and his hits are on the bull's eye" (Sunday Telegraph)

"A deliciously toothsome celebration of wanton story-telling" (Sunday Times)

"A splendidly sustained piece of mystification" (Financial Times)

"One of those that's best read as a teenager, but once read you'll never forget it" (Katy Guest The Independent) --This text refers to an alternate Paperback edition.

Book Description

'An astonishing achievement' Anthony Burgess --This text refers to an alternate Paperback edition.

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Customer Reviews

4.1 out of 5 stars

Most Helpful Customer Reviews

46 of 47 people found the following review helpful By Victoria Craven on 23 Feb. 2004
Format: Paperback
Upon learning that The Magus had won a place in the BBC’s Top One-Hundred Books list, I decided to give it a read. It is often – quite rightly – referred to as a cult classic, and it is only around two hundred pages into the book that it becomes clear why.
The story follows a young teacher by the name of Nicholas Urfe. Deciding he wishes to get away from dreary London, Nicholas takes a job on the sparsely populated Greek island of Phraxos. As his departure date draws nearer, the young Mr Urfe becomes reluctant to leave his Australian girlfriend Alison (a character who, although rarely making an appearance, becomes more and more significant as the book progresses). He does leave however, and although captivated by the island’s majestic scenery and untouched landscape, he finds he is incredibly lonely with only one of his fellow schoolmasters to easily converse with. Out walking one day, Nicholas spots a charming villa and decides to go for a closer look. This, as he puts it himself, is ‘when the mysteries began.’
The other main character of the book is a rather eccentric elderly gentleman by the name of Maurice Conchis. Conchis, it is revealed later in the book, is the Magus (being the magician figure in the Tarot pack), and he takes great pleasure in bringing said mysteries before Nicholas. Conchis introduces his new friend to a young lady he calls Lily. This may seem perfectly normal, but it is only when you take into account that the previous evening Conchis informed the young teacher that his former fiancé – Lily – was killed many years previously that it becomes rather eerie.
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139 of 143 people found the following review helpful By tony mac on 7 April 2003
Format: Paperback
Like a lot of reviwers here, I've been re-reading the Magus at odd points throughout my life, probably about once every 10 years on average. I've always admired and enjoyed it, though not entirely uncritically, and have been fascinated at my own various reactions to it over the years, reflecting my own life experiences at given times.
I think it is essentially a novel best read for the first time in curious, impressionable, early adulthood. it definately helps to have a strong imaginative streak and your head more than a little in the clouds - I've recommended it to diehard pragmatists over the years who just don't get it at all.
Like most young people who liked the book it has turned into something of a landmark in my life - the first book which I genuinely felt opened up key areas of myself and got me thinking along more abstract lines. It let me fly, basically.
The last time I read it I had just turned 40 and realised for the first time that I could no longer really identify with Nicholas as a peer-group figure, which slightly saddened me, despite the fact that I have never particularly liked him.
It also drove home to me that it really is a book aimed directly at young people, about the whole process of growing up and realising that the world, and everything in it, is a limitless but mysterious place, beyond control and all the more intoxicating for it.
I also found myself, for the first time, being a bit annoyed by Fowles's rather irritating assumption of his readers background in classical mythology, French and Shakesperian tragedy; but I try to tell myself this only reflects the cultural and educational time in which it was written.
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7 of 7 people found the following review helpful By Allen Baird on 4 Mar. 2013
Format: Paperback Verified Purchase
I read this for two reasons. I was forced to study The French Lieutenant's Woman at college and ended up loving it - especially its play with language, sympathies and endings - despite my best intentions. And I'd heard that the excellent 1997 film The Game was taken in part from The Magus. In fact, Fowles' working title for it was The Godgame. Both book and film pivot around an over-privileged, under enlightened man called Nicholas (as does the BBC's excellent 1988 mini-series The One Game).

There's a film version of The Magus, staring Michael Caine in the lead role. Not a lot of people know that. The word on the street is that it's dire. I think The Magus would make a magnificent short series for TV, maybe over five or six hour-long episodes. You'd need at least this amount of screen time and chew-over time to get your head around it.

I usually don't like books of the what-the-heck-is going-on variety. Neither do I appreciate the art-for art's-sake genre, nor its close cousin, the look-how-smart-I-am. But I loved this. I just don't really know what its all about, that's all. Now, I only finished it after a marathon stint last week, but here are my first reactions.

I liked the central character, Nicholas Urfe. I'm not sure you're supposed to like him; he's a bit of a classist cad. But Fowles so well describes his history, thought-processes and torments that you can't help but empatise. And Fowles takes his time with Nicholas. In many novels, I wonder why the protagonist doesn't think or act in ways that are obvious to me. Here, every time I wondered why Nicholas doesn't do a certain thing, he then goes on to do it.

As my estimation, yea affection, for Nicholas grew, so my aversion to his mentor-figure, the magus of title, grew too.
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