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|1. Baby Come Home|
|2. Keep Your Shoes On|
|4. Only The Horses|
|5. Year of Living Dangerously|
|6. Let's Have a Kiki|
|7. Shady Love|
|8. San Luis Obispo|
|9. Self Control|
|10. Secret Life of Letters|
|12. Miss Matronic's Magic Message (Bonus)|
|13. F*** Yeah (Bonus)|
|14. Let's Have a Kiki - DJ Nita remix (Bonus)|
|15. F*** Yeah - Seamus Haji remix (Bonus)|
The band describes Magic Hour as "future pop" – but collaborations with Diplo, Pharrell Williams and Calvin Harris looks, on paper, more like bandwagon-jumping than any forward-thinking. But it works.
Baby Come Home, a cousin to Take Your Mama Out, opens fearlessly with honky-tonk piano, Vocoder and wasted decadence, strutting about with impenetrable confidence. The annoying Keep Your Shoes On fails to build on this, but Inevitable quickly settles into a lovely Bee Gees-recalling groove, demonstrating that when they step off the dance floor Scissor Sisters are capable of genuine vulnerability.
By its makers’ admittance, Magic Hour is a smorgasbord of styles – it hops around like a rabbit browsing the Now! series. But what comes through, to the advantage of this set, is the sense of the band really enjoying itself. From the hard-hitting synths and rapping of Shady Love through to the all-conquering, Calvin Harris-assisted Only the Horses; from the Rufus Wainwright-ish anguish of Secret Life of Letters to the dancehall of the surprisingly mesmerising Let’s Have a Kiki, Sister Sisters have recovered their debut album’s playfulness.
Every mixed bag will have its misses, and sure enough San Luis Obispo is as forgettable as Best in Me is insipid. But Self Control pounds like a lost 90s house 12", while Somewhere demonstrates commendable restraint and is the equal of their very best work. It’s such a natural closer that the extra tracks add little, F*** Yeah possessing the charm of a neighbour’s house party the night before a job interview.
Doubts dashed, Scissor Sisters have rediscovered a magic touch lacking slightly on Night Work. Their progress is marked by a developed sense of reflection, which balances their familiar flamboyance – surely to resurface with their Fraggle Rock soundtrack – quite wonderfully.
--Marcus J. Moore
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Not as good as earlier albums however still a great listen.Published 4 months ago by Christopher M Powell
I loved their first two albums. The third was good, but not great. This seems to fall into the same "degenerating into club-esque nonsense" as far too much modern pop.Published 7 months ago by A. J. Hawkins