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Magic Chairs CD


Price: £11.00 & FREE Delivery in the UK. Details
Includes FREE MP3 version of this album.
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Frequently Bought Together

Magic Chairs + Piramida + Parades + Under Giant Trees
Price For All Three: £32.35

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Product details

  • Audio CD (22 Feb 2010)
  • Number of Discs: 1
  • Format: CD
  • Label: 4AD
  • ASIN: B002ZTIJ3E
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: 17,762 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
Listen  1. Modern Drift 4:53£0.99  Buy MP3 
Listen  2. Alike 4:11£0.99  Buy MP3 
Listen  3. I Was Playing Drums 5:13£0.99  Buy MP3 
Listen  4. Raincoats 4:20£0.99  Buy MP3 
Listen  5. Harmonics 4:05£0.99  Buy MP3 
Listen  6. Full Moon 3:49£0.99  Buy MP3 
Listen  7. The Soft Beating 4:13£0.99  Buy MP3 
Listen  8. Scandinavian Love 3:53£0.99  Buy MP3 
Listen  9. Mirror Mirror 5:44£0.99  Buy MP3 
Listen10. Natural Tune 3:26£0.99  Buy MP3 

Product Description

BBC Review

Efterklang’s third long-player opens with a song so exquisite, so alluring of textural depth and enveloping of divine ambience, that all else fades away. Tunnel vision of the senses, peripheries blurred and spiralled into a Turner-style canvas-drama on the cornea. It’s intoxicating, Modern Drift, a song that stills the rush of a modernity that structures its time around the comparative triviality of necessity. It’s exemplary escapism. It’s where this record puts its first foot wrong.

Because where now? Efterklang achieved great things with 2007’s Parades, but that was a set neatly segued, a complete picture that revealed itself gradually across episodic tracks. Magic Chairs is their ‘pop’ record, relatively speaking; any narrative is fractured, the songs standalone, constructs shorn of company and context. As gorgeous as Alike, which follows the Danish outfit’s seductive opener, is, it marches to an independent beat. The cohesion of the past, which made Parades so magical and saw several critics acclaim it as a Funeral-beater, is absent. As such, Magic Chairs feels like a comparative regression, devolution where its makers could have soared from the heavens to realms wholly otherworldly.

But, should Parades mean nothing to you, this makes for a superb introduction to one of the world’s most uniquely-minded bands. Where other ‘indie’ acts stick a violin atop a standard-issue rock-stomper and call it an anthem, Efterklang assemble their arrangements from classical-forged fragments. The sweep of a graceful string or brass passage is as vital to the overall cohesion of a piece as the guitars and drums, which rumble and rattle in a most wonderful unison. I Was Playing Drums is one example of this astute balancing of elements, penultimate show-stopper Mirror Mirror another; elsewhere, though, things don’t play so smoothly.

But to get too hung up on exiguous imperfections is to waste words that should be used to sing this band’s praises, because they’re absolutely worthy of recognition beyond their present profile.  To see them live, the core four expanded, is mesmeric. Across Magic Chairs they exhibit a singular classiness, their composure and patience immensely admirable. It contains many moments of unquestionable gorgeousness. It’s only fault, really, is that it’s not in a Parades league.

With such a precedent set, this can’t help sounding like an exercise in consolidation, albeit an enthusiastically recommended one, rather than a significant progression. It’s focused, and superbly executed, but forgoes immersive longevity for determined immediacy. --Mike Diver

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Customer Reviews

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Most Helpful Customer Reviews

6 of 7 people found the following review helpful By The Wolf TOP 100 REVIEWERVINE VOICE on 28 Feb 2010
Format: Audio CD
Danish band Efterklang deliver a box of delightful spells
with their new album 'Magic Chairs'. Ten of them in fact.

This is music unafraid to marry complexity with great
human warmth. Sounds for the heart and the mind indeed!

Strong melodic ideas expressed through a guitar,
drums, keyboards and bass core, augmented by
sensitively applied string arrangements.

Casper Clausen's fragile but hugely expressive voice
stands at the centre of these fine songs. He understands
the value of economy; the natural quality of all his
performances never sounds remotely forced or affected.

Things kick of with the spirited strains of 'Modern Drift'.
A lovely tune spun out over rolling keyboard arpeggios,
spirited percussion, limpid strings and gentle harmonies.
Mr Clausen sings like an angel.

'I Was Playing Drums' is another winning composition
which brought Arcade Fire to mind on one or two
occasions - something to do with the pulsing,
anthemic nature of the performance perhaps.
The rich multi-instrumental nature of the music of both
bands places them in not dissimilar sonic territory.

The handclaps and chanting at the beginning of 'Raincoats'
sets the scene for one of the project's most affecting
ideas. The high-flying flute contributes a folksy element
totally in accord with the pounding pagan percussion.

'Full Moon' immediately found a place in my
hairy heart as I am sure you can imagine!
A mysteriously moody song brilliantly enhanced
by the distant choral commentary.

'The Soft Beating' is a simply beautiful song.

Final track 'Natural Tune' is just what it purports to be.
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1 of 1 people found the following review helpful By Martin Fielding on 24 Feb 2013
Format: Audio CD Verified Purchase
Having come to this from their most recent album Piramida I was initially a little dispppointed with Magic Chairs but it has grown on me massively - where Piramida reminded me of Portishead, this album is more Arcade Fire but in its own way very different. Great vocals again and great orchestration. This is a wonderful band who have a fantastic ability to mix both catchy and haunting music.
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1 of 1 people found the following review helpful By Laura on 17 April 2011
Format: Audio CD Verified Purchase
When I first heard Efterklang, I couldn't believe I hadn't heard of them before - their music is lovely and this album is brilliant. Describing it is hard... the only band I can think of to compare them to is arcade fire but there is something folky going on there too, and different sounds and beats, and there's something experimental about it. This is a great album to wake up to on a sunny morning... or to make you feel like its sunny on a rainy morning, or just to chill out to at anytime. It's a grower too. If in doubt, just listen to the songs on their website/on you tube and get a feel for them - efterklang also have a short film linked to this album that is worth a look.
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1 of 1 people found the following review helpful By pjr VINE VOICE on 6 Oct 2010
Format: Audio CD
Efterklang have been around for some considerable time without making any significant dent on the British music buying consciousness. Perhaps there's just too much music coming out of these countries for us to keep up with. Efterklang have received something of a lift by landing on 4AD for their third album "Magic Chairs".

It's an interesting album whose chief features come in the form of its rather dense layers of instruments and vocals coupled with a nice sense of rhythmic counterpoint. There is quite a lot to the sound here. Guitars, pianos, precussion, layers of vocal harmony, even strings curl around the songs to produce some very beautiful music. This cocktail should lead you to conclude this is a rather heavy sound but the actuality is the complete opposite. There is a lightness to the music which shuffles and ripples along creating a very beautiful whole.

This is another example of the prevailing trend for music which seems to take as much of its cue from the classical. A cursory listen to "I Was Playing Drums" or "Modern Drift" could lead you to conclude that these could well have found a home on Heartland by Owen Pallet. Yet comparisons of this type detract from this being more of a rock than a clssical album. The rest of the album follows a more conventional rock format (although rock is a rather strong word to describe it). "The Soft Beating" could, in the hands of any one of a number of Efterklang's contemporaries have been a regulation indie song.

The likes of "Scandinavian Love", "Mirror, Mirror", "Raincoats" and "The Soft Beating" illustrate that this is a band looking to think outside the indie rock box.
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