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Product Description
Product Description
This edition reprints the first published version, that of 1893.Misprints and errors have been corrected and are identified in "A Noteon the Text." Footnotes indicate changes in wording Crane made for the1896 edition and explain slang expressions and customs of the day. Mapsof the novel s New York City locales are also provided."Backgrounds and Sources" includes nonfictional accounts of urban lifeby Jacob Riis and others from which Crane drew, as well as discussionsof Crane s literary sources"The Author and the Novel" traces the history of the novel'scomposition and revision.Contemporary American reviews of the 1893 Maggie and American andEnglish reviews of the 1896 edition focus on the historical importanceof the work, the values and tastes of the 1890s, and Crane s modernism.The modern critical essays are by John Berryman, Charles Child Walcutt, William Bysshe Stein, Joseph X. Brennan, Janet Overmyer, Donald Pizer, Joseph Katz, Eric Solomon, Jay Martin, Donald B. Gibson, Arno Karlen, Katherine G. Simoneaux, Frank Bergon, Hershel Parker, Brian Higgins, and Thomas A. Gullason.
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First Sentence
A very little boy stood upon a heap of gravel for the honor of Rum Alley. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
A very little boy stood upon a heap of gravel for the honor of Rum Alley. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews
Most Helpful Customer Reviews
1 of 1 people found the following review helpful
Format:Paperback|Amazon Verified Purchase
If you have to purchase this short story for university/school other study reasons then this edition is the one to get - it includes loads of helpful critical essays.
However, if you're thinking of purchasing the book as a good read or entertaining story, don't bother. Whilst it's mildly interesting as an example of the beginning of the Naturalism movement in America, it's not particularly absorbing and despite the story only actually taking up about 60 pages, I found it difficult to read, certainly the very opposite of a page-turner.
Nothing really happens in it and the ending remains disappointingly ambiguous. Also, for a story which aimed to be realistic, the motivations of the characters are not very well examined and many of their actions seem, quite frankly, bizarre. Maggie's mother and brother are basically reduced to charicatures of the 'angry, violent, working class', without much thought given to the reasons behind their behaviour.
Basically, not worth reading unless you have to.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
16 reviews
25 of 26 people found the following review helpful
An Easy Read with Power and Dark Humor
6 Dec 1997
Format:Paperback
If I were pressed to use one word to describe this book itwould be dark. However, Crane's novel is a moving piece with momentsof transcendence and rampant dark humor.
Basically, it is the story of Maggie, an undeveloped character who takes the back-seat to her loud and abusive parents, her swaggering, self-confident brother Jimmie and his friend, the boastful Pete.
The novel chronicles the injustices that surround Maggie, who is quiet and doesn't fight back. A chilling look at poor, urban life in the late 1800's, it is also a tale critical of society's judgmentality and questioning of morality. A more complex novel than it seems on first look, it is wonderful to take apart and examine the relationship between Maggie and Pete, Maggie and her mother, and Maggie and Jimmie.
Most importantly, however, are the quiet moments of transcendence in this novel.
6 of 6 people found the following review helpful
A Blossom in a Mud Puddle
11 Feb 2008
Format:Paperback
I reread Stephen Crane's "Maggie: A Girl of the Streets" yesterday. It was the first time that I had revisited the book in almost thirty years. Originally, I read Crane's writings in a seminar course which compared his pioneering works to those of Ernest Hemingway. There were common themes in the works of both authors and they both employed a naturalistic style. Crane was more poetic, however, while Hemingway was more workmanlike in his choice of words and phrases.
This tragic story takes place in the slums and the garment district. Maggie is the daughter of two alcoholic Irish immigrants. Her youngest brother dies during early childhood. Her older brother spends his youth fighting rivals in the streets and enduring beatings at the hands of his intoxicated parents at home. In adulthood, Jimmie becomes a teamster and introduces his sister to his friend Pete, a well dressed local bartender. Pete is taken with Maggie's shape and begins courting her. Eventually, Maggie quits her five dollars a week job at the cuff and collar factory and leaves home with Pete. This ill considered decision is the beginning of her ruin. Pete cares nothing for Maggie. She is a only a passing fancy.
Environment determines everything in this sad tale. Alcoholic rages and casual acts of random violence occur on almost every page. Crane employs dialect to reflect the speech patterns of his characters. When Pete abandons Maggie for Nellie, a stylish prostitute, the saddest line of dialogue is Maggie's question: "Where kin I go?" Disowned by her widowed mother, who is herself a frequent defendant in the police courts on account of her drunken behavior, and brother, whose own relations with women are not much better than those of Pete, for having gone to the devil, Maggie begins walking the pavements alone and becomes one of the scarlet legions.
Initially, Crane had to self publish this book since it was considered to coarse and profane to print. It proved to be unprofitable and he gave many copies of the limited first printing away. Unlike "The Red Badge of Courage," there is no place for heroism and redemption in the Bowery streets inhabited by Maggie, Jimmie and Pete. This sad account of an unfortunate woman driven into a life of prostitution is far removed from the nightly celebrations at the opulent Everleigh Club.
It is humbling to think that Crane was capable of creating such a novella while he was scarcely over the age of twenty and that all of his poetry and prose was completed before his death at the age of twenty-eight.
This tragic story takes place in the slums and the garment district. Maggie is the daughter of two alcoholic Irish immigrants. Her youngest brother dies during early childhood. Her older brother spends his youth fighting rivals in the streets and enduring beatings at the hands of his intoxicated parents at home. In adulthood, Jimmie becomes a teamster and introduces his sister to his friend Pete, a well dressed local bartender. Pete is taken with Maggie's shape and begins courting her. Eventually, Maggie quits her five dollars a week job at the cuff and collar factory and leaves home with Pete. This ill considered decision is the beginning of her ruin. Pete cares nothing for Maggie. She is a only a passing fancy.
Environment determines everything in this sad tale. Alcoholic rages and casual acts of random violence occur on almost every page. Crane employs dialect to reflect the speech patterns of his characters. When Pete abandons Maggie for Nellie, a stylish prostitute, the saddest line of dialogue is Maggie's question: "Where kin I go?" Disowned by her widowed mother, who is herself a frequent defendant in the police courts on account of her drunken behavior, and brother, whose own relations with women are not much better than those of Pete, for having gone to the devil, Maggie begins walking the pavements alone and becomes one of the scarlet legions.
Initially, Crane had to self publish this book since it was considered to coarse and profane to print. It proved to be unprofitable and he gave many copies of the limited first printing away. Unlike "The Red Badge of Courage," there is no place for heroism and redemption in the Bowery streets inhabited by Maggie, Jimmie and Pete. This sad account of an unfortunate woman driven into a life of prostitution is far removed from the nightly celebrations at the opulent Everleigh Club.
It is humbling to think that Crane was capable of creating such a novella while he was scarcely over the age of twenty and that all of his poetry and prose was completed before his death at the age of twenty-eight.
6 of 6 people found the following review helpful
Naturalism to the tee.....
29 Oct 1999
Format:Mass Market Paperback
Stephen Crane does a superb job of displaying the qualities of Naturalism in this story. He focuses on the lower classes, deals with an amoral set of ideas/decisions, displays a blatant attack on false values, a reformest agenda, imagery that is either animalistic or mechanistic, and a plot of decline that often leads to catastrophe through a deterministic sequence of causes and effects. Crane attacks both the romantic idealism and the moral posturing of the church in this novel. The animalistic imagery, displayed in the Darwinian landscape of Rum Alley, is significant, for it reinforces the work's naturalistic orientation: humans are viewed as extensions of the animal kingdom engaged in a Darwinian struggle for survival. This novel assails the hypocricy of the priest who offers condemnation instead of compassion, who claims to help people, yet turns a deaf ear to their pleas for help, and whose moral posturing encourages others to do the same. BRAVO! Crane....If you would like to discuss this novel in greater detail, email me.
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