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Mademoiselle Chambon [DVD]


Price: £4.00 & FREE Delivery in the UK on orders over £20. Details
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Product details

  • Actors: Vincent Lindon, Sandrine Kiberlain, Aure Atika
  • Directors: Stephane Brize
  • Format: PAL
  • Language: French
  • Subtitles: English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 1
  • Classification: 12
  • Studio: Axiom Films
  • DVD Release Date: 5 Dec. 2011
  • Run Time: 101 minutes
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (35 customer reviews)
  • ASIN: B0051ZH9VC
  • Amazon Bestsellers Rank: 6,413 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Reviews

After the international success of NOT HERE TO BE LOVED, acclaimed French director Stéphane Brizé returns with MADEMOISELLE CHAMBON, a beautifully crafted tale of an unexpected romance between a married man, Jean (Vincent Lindon) and his son's school teacher, Véronique Chambon (Sandrine Kiberlain) and their desperate attempt to keep their desires from spiraling into a full-blown affair, which threatens to turn everything around them upside down. Winner of Best Adapted Screenplay at the 2010 César Awards.

Customer Reviews

3.9 out of 5 stars

Most Helpful Customer Reviews

34 of 34 people found the following review helpful By Peter Piper TOP 1000 REVIEWER on 24 Feb. 2013
Format: DVD Verified Purchase
Vincent Lindon is in a completely different role here to the husband he plays in the compulsive thriller 'Anything For Her'. In this film he is a sensitive working man who is entranced by the quiet, submissive allure of his son's teacher (Sandrine Kiberlain - 'L'Appartement', 'A Self-Made Hero', 'Petit Nicholas').

The film is a study of loneliness: the barren life of a single school teacher who exists on her own without friends or a lover; and of a man who is constrained by his male role as a manual worker but who also feels alone in a marriage where he has failed to find a way to reveal his inner thoughts to his wife. Such emptiness, however, cannot remain for long where there is a spark between two people.

Lindon and Kiberlain stumble through a minefield of conflicting conscience, attempting to reconcile new feelings with old loyalties and their sense of morality. Of all the questions raised by the film, the most significant is probably: 'Do the central characters leave the film with a greater understanding of themselves or each other?'

Another fine example of the capacity of French cinema, more than any other, to produce films of emotional complexity and sensitivity. Bravo!
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21 of 22 people found the following review helpful By Mr. Geoffrey H. Thorne on 13 Dec. 2012
Format: DVD Verified Purchase
This film represents the first time that I have ever seen Sandrine Kiberlain and Vincent Lindon. As a result of this particular film, it appears that I have missed a great deal, an omission that I intend to rectify over the next months.

I am amazed to see critics comment on the lack of "eventful" action. What has happened to viewers? Do they expect CGI and explosions all the time? This is, quite simply, a wonderfully acted little masterpiece. Vincent Lindon is fascinating as a manual worker who seems perfectly happy with his lot in life, until he meets his son's enigmatic teacher (Sandrine Kiberlain). She embodies an undoubtedly disappointed woman, although, apart from one clue in a telephone message from her mother, there is no definite answer as to what that sadness relates to. Her ability to express herself is through the violin, whilst Vincent Lindon's is through his work as a builder.

An attraction of opposites is a common ploy in films, but, here, there is a sublety lacking in so many other films. The attraction between the two is mainly conveyed by embarrassed glances and the quality of the acting means that this is eminently watchable, as it is done by two consummate actors. There are two scenes which are almost unbearably beautiful to watch, and many more which will stay in your memory.

Please watch this. You will not regret it (unless of course, you want CGI-generated films). Quality and good acting are what make films masterpieces. This qualifies on those two counts.
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10 of 10 people found the following review helpful By R. Warren on 31 Aug. 2013
Format: DVD Verified Purchase
Just loved this movie for its delicacy and shyness of the characters giving so much depth to what could have been just another romance.
Sandrine Chamberlain so beautiful.
I will watch this again .. and again ..
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4 of 4 people found the following review helpful By Bruce Miller on 19 Aug. 2014
Format: DVD
This was an excellent film which really had a very powerful message. It had all of the elements; lots of emotions, passion, and romantic suspense. The plot was simple; an (apparently) happily married man with a devoted family falls for the attractive and somewhat mysterious village school teacher. The Chemistry is present and sets the stage for a story that could have gone in many directions. One could debate whether or not there was a happy ending. I personally thought that the ending was perfect and would not have wanted it to end in any other fashion. The background scenery of the small village and portrayal of the daily life of a French family was heartwarming. All of the characters were very decent people who were caught up in the emotions and challenges that life presents.
Now, I need to find more good movies featuring the same actors and directors. If you can handle sub titles, you will really enjoy this film !
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3 of 3 people found the following review helpful By schumann_bg TOP 50 REVIEWER on 24 Jan. 2015
Format: DVD
Slight spoilers

I was hoping this film would be an understated gem, but sadly it just misses the mark. The acting is very good, both Vincent Lindon and Sandrine Kiberlain being outstanding and well matched, so the problem lies elsewhere. The film is a kind of reworking of Brief Encounter, but the comparison shows up the insipid direction of this effort. A middle-aged builder falls in love with his son's teacher, reciprocally, and finds himself completely overwhelmed, perhaps even more so because so little is said between any of the characters. Lindon does brilliantly with the role, but the visuals are, in the end, nothing more than pretty, and never cut through to match the intensity of the feelings. Some sort of visual equivalent is needed, particularly when nothing is said. The sense of place is minimal, the interiors bland - probably based to an extent on the Danish painter Hammershoi, whose poster the teacher has on her wall. But there is none of the magic of that artist's austerity. In terms of the way family life is shown, a feeling of banality is hard to escape, because the director Stephane Brize has not managed to get under the surface. In Brief Encounter the visuals are very strong, the dialogues and voice-over intense - the opposite of here. Another comparison might be with the recent German film Free Fall, where there is a parallel situation of the wife being pregnant. In that film the husband falls for another man. This in itself makes less difference than the much more full-on treatment, again with matching visual expression, so that by the end you really feel something. Here you just feel, as Barbara starts to sing on the soundtrack and the shot pulls away from a window enough for us to see a picturesque geranium in a pot, how much more could have been got into this.
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