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Suffering the mood swings are a galaxy of cameo stars: Famke Janssen is Bobby's lap-dancing girlfriend, an unrecognisable Peter Falk is a no-nonsense mob boss, Sean "Puffy" Combs is his exasperated NY equivalent, and Sam Rockwell is a hotel clerk with the patience of a saint. Rapid-fire dialogue, economic editing and an amazingly cool soundtrack certainly recall the best of Swingers, though Made is a far braver movie all round and confirms Favreau as a genuine Indie success story.
On the DVD: Made comes to disc in its original 1.85: 1 ratio, which shows off Favreau's penchant for hand-held camerawork to good effect; and the choice of 5.1 Dolby or DTS naturally makes the best of the rocking song compilation. There are three mini-documentaries that look like they should have been edited together. "Getting it Made" talks about working with a five million dollar budget but no other restrictions; "The Creative Process" continues the theme and leads into the backslapping of friends working together in "Making the Music of Made". Five deleted scenes with optional commentary include an alternate ending that clearly wouldn't have worked. But for the disc's best extra it's a toss up between best buddies Vaughn and Favreau proving themselves knowledgeable in their movie "Telestrator" commentary, or the 25 minutes of outtakes that make them look like amateur idiots. --Paul Tonks
Anyway, a lot of you who haven't seen this film will be thinking 'Is 'Made' similar to 'Swingers'?'. Well, yes and no. Yes, in that it is another superb film written (and this time directed) by Jon Favreau, who again stars with Vince Vaughn, proving that 'Swingers' wasn't just a fluke, and that it's another dialogue-orientated comedy. And no, because the story and characters in 'Made' are very different to what we found in "Swingers"...
Firstly, 'Made' is a much darker film than 'Swingers'. It's set in a low-key mafia environment, and the action switches from Los Angeles to New York and back again. Jon Favreau plays wannabe boxer Bobby, who acts as protection for his stripper girlfriend (played by Famke Janssen) when she's on call. He loves her and her young daughter (who's "not even his"), and will do anything to make their lives easier - even doing odd jobs for small-time mob boss Maxi (the croaky, almost incomprehinsible Peter Falk - great value, as always), who just happens to employ Bobby's girlfriend as one of his team of strippers. When Maxi calls on Bobby to go to New York to do a mysterious "drop", Bobby gets his life-long friend Ricky to go along with him. Vince Vaughn is brilliant as Ricky, a total idiot, so different to the effortlessly cool Trent, who Vaughn played in 'Swingers'. The hapless Ricky provides most of the comedy in this film, his hilariously cringe-worthy efforts to appear streetwise and in-the-know, especially when trying to impress Maxi and his mob partner in New York, Ruiz. Sean Combs (a.k.a. Puff Daddy / P. Diddy) does well in his limited amount of screen time as Ruiz, although you do get the feeling he's maybe playing himself up to a point.
The cinematography and soundtrack to the film are excellent (especially in and around the New York nightspots), with the soundtrack varying from upbeat hip hop favourites - De La Soul, A Tribe Called Quest, Jurassic 5 - to Dean Martin. There are a lot of familiar faces who appear in peripheral roles (keep your eye out for actors from The Sopranos and a bizarre cameo by a cast member of early 90s teen show Saved By The Bell).
All in all, this is a great movie which is well worth buying, that further enhances Jon Favreau's reputation as a superbly deft scriptwriter, and confirms that Favreau and Vaughn are a marvellous on-screen duo.
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