- Paperback: 384 pages
- Publisher: Penguin Classics; New Ed edition (26 July 2007)
- Language English
- ISBN-10: 0140620478
- ISBN-13: 978-0140620474
- Product Dimensions: 18 x 9.6 x 3 cm
- Average Customer Review: 3.7 out of 5 stars See all reviews (10 customer reviews)
- Amazon Bestsellers Rank: 127,813 in Books (See Top 100 in Books)
Did you know you can trade in your old books for an Amazon.co.uk Gift Card to spend on the things you want? Plus, get an extra £5 Gift Certificate when you trade in books worth £10 or more before June 30, 2012. Visit the Books Trade-In Store for more details. |
Product details |
Product Description
Product Description
Independent and spirited Bathsheba Everdene has come to Weatherbury to take up her position as a farmer on the largest estate in the area. Her bold presence draws three very different suitors: the gentleman-farmer Boldwood, soldier-seducer Sergeant Troy and the devoted shepherd Gabriel Oak. Each, in contrasting ways, unsettles her decisions and complicates her life, and tragedy ensues, threatening the stability of the whole community. The first of his works set in Wessex, Hardy’s novel of swift passion and slow courtship is imbued with his evocative descriptions of rural life and landscapes, and with unflinching honesty about sexual relationships.
Inside This Book
(Learn More)
First Sentence
WHEN Farmer Oak smiled, the corners of his mouth spread till they were within an unimportant distance of his ears, his eyes were reduced to chinks, and diverging wrinkles appeared round them, extending upon his countenance like the rays in a rudimentary sketch of the rising sun. Read the first page Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
WHEN Farmer Oak smiled, the corners of his mouth spread till they were within an unimportant distance of his ears, his eyes were reduced to chinks, and diverging wrinkles appeared round them, extending upon his countenance like the rays in a rudimentary sketch of the rising sun. Read the first page Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
Tags Customers Associate with This Product(What's this?)Click on a tag to find related items, discussions, and people.
|
Sell a Digital Version of This Book in the Kindle Store
If you are a publisher or author and hold the digital rights to a book, you can sell a digital version of it in our Kindle Store.
Learn more
What Other Items Do Customers Buy After Viewing This Item?
Customer Reviews
Most Helpful Customer Reviews
5 of 5 people found the following review helpful
I liked this book. I read Tess of the D'Urbervilles and found it quite hard-going and long-winded, but I really enjoyed reading this. It takes a while for the story to get going, but I kept wanting to go back to it to find out what was going to happen next.
I'd recommend this to anyone, even if you haven't liked some of Hardy's other books.
I'd recommend this to anyone, even if you haven't liked some of Hardy's other books.
11 of 12 people found the following review helpful
Hardy's first major success starts out with a plethora of rich, evocative description of the landscape the shepherd, Gabriel Oak, inhabits, such as "the dry leaves simmered and boiled in the desolate winds, a tongue of air sending them spinning across the grass", the trees "wailing and chaunting to each other in the regular antiphonies of a cathedral choir". Hardy is an excellent (and in my opinion unsurpassed) creator of atmosphere.
Hardy evokes sympathy for Oak in his initial rejection by Bathsheba, giving the reader a sense of his vulnerability, with his initial description also describing how his face "had some relics of the boy", further suggesting vulnerability. However, Oak seems after this rejection to transform into a hero, becoming a character one does not so much relate to as idolize and respect. Hardy writes at the beginning that Oak's "hues and curves of youth" were "tarrying on to manhood", and we get a sense through his patience and humility, his helping Bathsheba with her dying sheep even after she had ousted him in a paroxysm of fury just before, he has achieved manhood, and that the abovementioned qualities are those of ideal masculinity, not the flashy extravagance of Troy or the wealth of Boldwood.
Due to the construction of the plot, however, with Oak at the beginning thus being portrayed as the principal character, the end is rather predictable to the cynical reader. Towards the end, the beautiful description is completely dropped to allow pure action to ensue, with the idea that the pace is quickened thus exciting the reader, yet the ending, though dramatic, feels overly rushed nevertheless.
But all in all, it was a very enjoyable read, with the atmospheric description of the landscape demonstrative of Hardy's poetic ability (which he was later to excercize fully, abandoning the novel form and progressing with verse in his last years) being the strong point of 'Far from the Madding Crowd'.
2 of 2 people found the following review helpful
Reading this novel again in 36 degrees of heat in Tunisia was a delightful and slightly unusual experience! As I sat moderately baking in occasional shade, Bathsheba and Oak wrestled out their very pragmatic romance amidst the debris and lives of other characters whose impracticality and passion proves their undoing. The novel recommends survival through work and co-operation and this core value in the narrative far from being dull and tame compared to the heated, reckless drives of others,provides humour and finally healing. The scenes where Oak saves the gas ridden sheep and the stacks communicate Oak's consummate competence and care and Hardy 's sensory skills are marvellously suggestive and psychologically apt:
'He felt a zephyr curling about his cheek and turned.It was Bathsheba's breath - she had followed him, and was looking into the same chink.'
Far From The Madding Crowd is full of 'peeping tom' moments where characters watch each other through hedges,chinks and doors! This moment is beautifully laid out, the metaphor 'zephyr' registers the magic of Bathsheba's physicality...even more, her very breath, her life force enchants Oak. She is as special and magical to Oak as any legend from the Greeks. The simplicity of this shared watching explores their natural equality and the unconscious attraction of Bathsheba for Oak. How beautifully erotic is this scene and yet how it reveals their hesitancy and delay.
Hardy allows Bathsheba her eventual happiness which is rare indeed in the so-called 'great' novels, and he is also astute in granting Bathsheba autonomy in characterisation. She remains true to her perverse, challenging self and we do not see a shadowy, chastened figure at the end, though this Bathsheba has learnt about consequences!
' I have thought so much more of you since I fancied you did not want even to see me again.'
Human nature is perverse! This admission is fully in keeping Bathsheba's vanity and wilfulness. Yet is also reinforces the honesty and intimacy that has existed between them. Such intimacy elevates their relationship and makes their future marriage and happiness certain.
A final glimpse, simply because it is highly Impressionistic and tender and would not be out of keeping in a Katherine Mansfield story or a Monet painting:
'Ten minutes later, a large and smaller umbrella might have been seen moving from the same door, and through the mist along the road to the church.'
The tenderness of the ordinary here is palpable. Oak and Bathsheba are granted some privacy away from the speculative eye of reader and community and under their umbrelllas remains sanctuary and promise!
Wonderful!
'He felt a zephyr curling about his cheek and turned.It was Bathsheba's breath - she had followed him, and was looking into the same chink.'
Far From The Madding Crowd is full of 'peeping tom' moments where characters watch each other through hedges,chinks and doors! This moment is beautifully laid out, the metaphor 'zephyr' registers the magic of Bathsheba's physicality...even more, her very breath, her life force enchants Oak. She is as special and magical to Oak as any legend from the Greeks. The simplicity of this shared watching explores their natural equality and the unconscious attraction of Bathsheba for Oak. How beautifully erotic is this scene and yet how it reveals their hesitancy and delay.
Hardy allows Bathsheba her eventual happiness which is rare indeed in the so-called 'great' novels, and he is also astute in granting Bathsheba autonomy in characterisation. She remains true to her perverse, challenging self and we do not see a shadowy, chastened figure at the end, though this Bathsheba has learnt about consequences!
' I have thought so much more of you since I fancied you did not want even to see me again.'
Human nature is perverse! This admission is fully in keeping Bathsheba's vanity and wilfulness. Yet is also reinforces the honesty and intimacy that has existed between them. Such intimacy elevates their relationship and makes their future marriage and happiness certain.
A final glimpse, simply because it is highly Impressionistic and tender and would not be out of keeping in a Katherine Mansfield story or a Monet painting:
'Ten minutes later, a large and smaller umbrella might have been seen moving from the same door, and through the mist along the road to the church.'
The tenderness of the ordinary here is palpable. Oak and Bathsheba are granted some privacy away from the speculative eye of reader and community and under their umbrelllas remains sanctuary and promise!
Wonderful!
Most Recent Customer Reviews
This book destroyed my faith in literature
While I was at school I was required to read this book. Prior to reading this book I read at least 1 book a week, much of my free time was devoted to reading. Read more
Published on 5 Sep 2008 by Tez
for all southerners
Most of my contempories fall roughly into 2 categories - northeners or southerners, and almost without exception I find the northerners prefer Bronte and the rest of us love Hardy. Read more
Published on 29 Jan 2007 by Rachel
A great read if you can stick with it
As some may argue is typical of Hardy, 'Far from the madding crowd' starts out as being slightly long-winded - in modern terms it 'takes a long time to get going' - however this... Read more
Published on 24 July 2003 by "baybeedoll"
Beautifully written pastoral tale
This book looks with insight and depth at human relationships, using wonderful, lyrical prose to evoke a real sympathy in the reader for Hardy's characters. Read more
Published on 8 Jan 2001
Touching and brilliant
I have to confess I was shocked to read the above comments on 'Far from the Madding Crowd'.Betrayal, obsession, passion, suicide and murder - how can the book be boring? Read more
Published on 29 Jun 2000
A masterpiece of poetic writing.
A book for the more accomplished reader, Tohmas Hardy uses his skill not only as a writer but a poet and a architect to create a living breathing world which we can almost believe... Read more
Published on 16 April 2000 by martin.harley@tesco.net
Put me off reading
When I was forced to read this at school I hated it. It was almost enough to put me off reading for life. Read more
Published on 20 Nov 1999
Customer Discussions
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
Listmania!
|
|
Look for similar items by subject
Feedback
- Would you like to update product info or give feedback on images?
- I am the Author, and I want to comment on my book.
- I am the Publisher, and I want to comment on this book.
