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Track Listings
| 1. Terrapin |
| 2. No Good Trying |
| 3. Love You |
| 4. No Man's Land |
| 5. Dark Globe |
| 6. Here I Go |
| 7. Octopus |
| 8. Golden Hair |
| 9. Long Gone |
| 10. She Took A Long Cold Look |
| 11. Feel |
| 12. If It's In You |
| 13. Late Night |
| 14. Octopus (Takes 1 & 2) |
| 15. It's No Good Trying (Take 5) |
| 16. Love You (Take 1) |
| 17. Love You (Take 3) |
| 18. She Took A Long Cold Look At Me (Take 4) |
| 19. Golden Hair (Take 5) |
Product Description
Amazon.co.uk Review
Having left Pink Floyd in 1968 after a daily LSD habit had taken its toll, Syd Barrett's first solo album finally appeared two years later with ex-Floyd sidekicks Dave Gilmour and Rick Wright riding shotgun with him in the studio. The Madcap Laughs is a brilliant but brittle album, with every strum of the electric guitar seeming to take its toll on Barrett's increasingly frayed nerve strings. On songs like "Love You", his state of mind is well concealed beneath the sort of jolly ice cream van jangle-pop Blur would later indulge in. On "Dark Globe", however, the strain is palpable: "Please land a hand ... won't you miss me? Wouldn't you miss me at all?" he pleas, ominously. Best tracks are "Octopus" with all the controlled mania of early Floyd and "Golden Hair", a still moment of musical rapture whose lyric is taken from a James Joyce poem. --David Stubbs
Product Description
Essential solo debut newly reissued with upgraded artwork at an excellent price, includes 6 bonus tracks
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Customer Reviews
Most Helpful Customer Reviews
12 of 12 people found the following review helpful
Format:Audio CD
One of rock's most famous recluse's, the first of Syd's solo album contains some of his most fluent, and also incoherent work. Painstakingly put together this documents an amazing revolutionary artist in free-fall. Yes, "Piper..." may always be superior, but it will never have the emotional depth and intrigue this offers the listener. Ranging from the fuzzy "No good trying", to the frightening mental pain of "Dark Globe" ("Wouldn't you miss me?!?" he roars, titling his won best of 32 years later) and the sweet borrowed poem of "Golden hair". The range of moods and emotions, the way you can feel the difficulty Syd was going through this heartfelt work is amazing. This album is wonderful, and anyone considering investigating him should defiantly start here, not at that evil commercialised best of and see what this incredible songwriter managed to produce under the worst of circumstances. Miraculous.
9 of 9 people found the following review helpful
Format:Vinyl
The opening track of the album 'Terrapin' sets the scene for what any listener unfamaliar with the work of Barrett is about to encounter. It is a bare skeleton of a song, with just a single acoustic guitar playing at a snails pace, and Syd singing a simple love lyric with all the soul he can muster. A beautiful yet strange song, it is one of my favourite tracks on the album. If the track doesn't draw you into Syd's world, it is probable that this record won't be for you.
The rest of the tracks on the record are made up of up-tempo songs such as 'Love You', 'Here I Go', and the superb 'Octopus, yet also has its share of undescribably painful songs which feel as if they came directly from the nervous breakdown from hell. 'Dark Globe' is one such track, yet even it sounds together when compared to 'If it's in You' and 'Feel'. Although these tracks have false starts, and would not be to everybody's liking, I have a lot of affection for both, particular 'If It's In You'. While some of the record may be deemed as "way out", there is no doubting the fact that the album contains several classic tracts, by whatever standards you use to judge it by. No Man's Land, 'Long Gone' and the gentle beauty of the closing track 'Late Night' are all superb, not to mention Golden Hair, where Syd imaginatively puts music to a James Joyce poem with great results. I
16 of 17 people found the following review helpful
Format:Audio CD
This album is just Syd, his guitar and some simple accompaniment. Everything is focussed on the lyrics and Syd's voice. Don't expect it to sound like ' The Piper At The Gates Of Dawn' as his voice has lost it's happy quality. At times though, especially on the slow and beautiful love songs 'Terrapin' and 'Late Night', the sound is sweet toned and together.
The 13 tracks and 6 retakes are lifted out of the ordinary by Syd's wonderfully poetic lyrics and that emotional quality his voice has. In my opinion his lyrics have never been bettered. There are dark tracks, the prophetic 'Dark Globe', 'Feel' and the unbearably sad 'If it's in you' that reflect his growing unease and despair. But it's not all sadness, the extraordinary 'Octopus' is a stream of consciousness as image after image flows and shines from his brilliant mind. The funny 'Love You' and the wryly amusing 'Here I Go' help to lift the spirit.
Of course the songs are imbued with what was happening to Syd at the time. He recorded this album already suffering from a terrible break down. For the past decades, this album has been an eloquent testimony to what has been lost; a rare poet, a composer of music and a free spirit.
The 13 tracks and 6 retakes are lifted out of the ordinary by Syd's wonderfully poetic lyrics and that emotional quality his voice has. In my opinion his lyrics have never been bettered. There are dark tracks, the prophetic 'Dark Globe', 'Feel' and the unbearably sad 'If it's in you' that reflect his growing unease and despair. But it's not all sadness, the extraordinary 'Octopus' is a stream of consciousness as image after image flows and shines from his brilliant mind. The funny 'Love You' and the wryly amusing 'Here I Go' help to lift the spirit.
Of course the songs are imbued with what was happening to Syd at the time. He recorded this album already suffering from a terrible break down. For the past decades, this album has been an eloquent testimony to what has been lost; a rare poet, a composer of music and a free spirit.
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Most Recent Customer Reviews
R.I.P Syd Barrett
LOST YOUTH VOLUME 2 LONDON was written while listening to the early creative music from the Cambridge legend that was Syd Barrett. Read more
Published 1 day ago by Geoff McDonald
A highly original acoustic psych classic
I came to this record without having ever heard any of Syd's other solo efforts, or for that matter, even being particularly familiar with his Floyd work. How surprised I was. Read more
Published 7 months ago by Martin Leitch
Disappointing
Being a committed Pink Floyd follower and fan, I bought The Madcap Laughs on the week of it's original release. Read more
Published 7 months ago by Knight Templar
"sails cackling at every plate we break"
Roger "Syd" Barrett,a founding member of Pink Floyd,a psychedelic rock group, having hits with Arnold Layne,See Emily Play and Piper at the Gates of Dawn,having written most of the... Read more
Published 23 months ago by technoguy
Crumbling beauty...
The Madcap Laughs contains some of my favourite of Syd's songs, there are memorable tunes a-plenty, some songs are bare bones fragile voice and guitar performances, some are... Read more
Published on 17 Sep 2009 by Pseudonymous
Appealing creativity
First listen screams a lack of direction and an element of clutter. Mainly acoustic based, a vast majority could have been cut from the final product to leave a more meaningful... Read more
Published on 15 Sep 2009 by Ms. J. Forrest
Why 'The Madcap Laughs' is so special and so good :)
It's so special because it's by Syd Barrett, one of only two proper solo albums he did.
It's so good fundamentally because it's a unique type of gentle, odd, haunting... Read more
It's so good fundamentally because it's a unique type of gentle, odd, haunting... Read more
Published on 19 Aug 2009 by Symon Vegro
Surprisingly Wholesome Record
Syd Barrett left Pink Floyd in 1968; his final contribution to Pink Floyd was the last song on "A Saucerful of Secrets", the very apt Jugband Blues. Read more
Published on 1 Dec 2008 by The Mancunian Candidate
genius
syd is my all time favourite artist,you either love him,or you don't.this is a timeless classic,just listen to dark globe,the whole album is clever and funny,bringing you into... Read more
Published on 25 July 2008 by Stephen Sams
Long gone
This is a highly disturbing record. It's the sound of a man having a psychotic breakdown in the studio, recorded with cruel precision by someone who was both trying to help him,... Read more
Published on 4 May 2007 by M. A. Alcroft
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