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Selfishly amoral as Emma Bovary is, and even though her motivation is sometimes unfathomable in this version, we do feel for her plight and the story develops with cumulative power--though a ridiculous sex scene against a tree doesn't help. This is at least the 10th screen adaptation, the 1949 Hollywood take and the 1991 French version by Claude Chabrol being particularly notable. The story is a predecessor of Jules et Jim (1962) and Betty Blue (1986), and inspired David Lean's great film, Ryan's Daughter (1970). This current version has a dark visual beauty and a powerful central performance by Frances O'Connor but a brisker pace and sharper psychological insight might have transformed a polished entertainment into a television classic. --Gary S. Dalkin
“A wonderful sense of ensemble acting… [an] excellent performance by Frances O’Connor.”--Daily Mail
Marriage to the reliable but unexciting Charles, a provincial doctor, has left Emma feeling unfulfilled and leads her to look elsewhere for satisfaction.
She embarks on a series of affairs and, since this glamorous lifestyle demands more money than Charles can provide, she runs up enormous debts with a devious local tradesman, Lheureux. It seems that Emma’s fantasies may lead to her destruction – unless beauty, self-belief and ambition can help her survive.
Bored, frustrated and desperate for romance, Emma Bovary is in pursuit of passion….
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