Three half hour works by Kenneth MacMillan, which run the gauntlet from funny, through grim, to relaxed and beautiful.
Elite Syncopations was, we are told in the brief introduction, created as an antidote to his darker, tragic works, and it succeeds very well. A cheery, lightweight piece, beautifully performed and characterised. I particularly liked Iohna Loots as the nice girl, and Sarah Lamb as the sexy starlet displays all her strengths. The duet between Paul Kay as the short boy, and Laura McCullock as his too tall partner is wonderfully funny. (Apologies for the misspelt names, by the way!) The design is witty and colourful, the rag time music performed by an onstage band with verve and enjoyment.
The Judas Tree is a very dark work, which I personally feel goes too far for public performance. Magnificently danced, at one level it is clear that the woman (Leanne Benjamin) has provoked the lusts of the men until she is gang raped, which also leads to her murder (and resurrection), the murder of a friend and a suicide. Outside that, however, it is intrigingly unclear. Is the woman real? Or does she represent, for example, lust? Is the piece about the need to control male sexuality, in other words, a new take on the old sex equals death theme? And exactly who has betrayed exactly what? Dark designs also intrigue, and the music, which I believe was specially composed, complements and supports the action. I shall be watching the piece again, trying to work out what it is really about, and also for the excellent performances, with various dancers exploring the dark side of masculinity, but not for evening relaxation, which is how I tend to use ballet DVDs, even the classic tragedies.
Concerto I found very beautiful. The coreography is wonderfully fitted to the (great)music, and there is no plot to distract from the sound and movement. The design is simple and calm, elegant and abstract, part of the work which is not always the case with some of the classics. I was slightly uncertain about the quality of Helen Chadwick as the solo girl, but I'm no expert on the technicalities of dance, and I often find a performance by an unfamiliar artist grows on me. Otherwise, it's gorgeous.
I thought this was a very well balanced triple bill from a top ballet company, great music and which I'd recommend to any adult (not children, not with the Judas Tree on the disc) who wants to stretch their knowledge of ballet beyond the classics.