Experimental and diverse vocals, minimal soundscapes, gentle build up and roaring breakbeat crescendos. To appreciate the fast and funky, you have to have experienced the slow and moody. "Machine Says Yes" is the complete package and has enough variety to satisfy dance music fans of all genres.
Acid bloops, big beat breaks, deep house vocals, ambient pads, electro snares, 80's synthesiser samples and Daft Punk funk.
The title track fizzes with luscious, arcade game immitation sounds, which are muted and finely balanced by the nonchalant and laidback vocals, which are reminicent of Beth Orton (on her collaboration with The Chemical Brothers).
"Nothing is wrong" growls on a bed of no frills 4/4 beats and the sassy vocals make this, and "Mindset to cycle" comparable to Playgroup, in a 80's kitch kind of way.
Amongst the electro experimentaion is "Hayling". As a big fan of chill out I would have to name this the highlight track. Maybe because of its contrast to the rest of the album, and it's freshness. The sounds are more natural and flowing, the vocals are lush and deep. It contradicts most of what has been heard so far and would not be out of place on a Fridge or Orbital album.
"North Pole Transmission" has a strong Chemical brothers vibe. The private psychedelic reel anyone?
Come to think of it, there aren't really many original ideas here. The album chops and changes, but follows formula created by others before them. It still sounds fantastic, but I wouldn't go so far as to call it groundbreaking.
It's a welcome addition to albums by the artists I have named above, and in places, it out-does them.