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Review Creating the dream-like state implicit in their name with surprising confidence, the normal certainties of rock music were diffused behind a veil of beguiling amorphous harmonies, thoughtfully layered guitars, astute percussion and wilfully vague lyrical musings moved in and out of focus of each. Although they drew upon an array of influences that included elements of folk-rock, new wave sourness and the melancholic interiors found in some of The Beatles’ lesser known works, Murmur was exquisitely its own thing and hard to pigeon-hole.
Michael Stipe’s artsy inclinations ensured that countless hours would be spent by fans figuring out what he was mumbling (given that he improvised many verses direct to mic – as with “Radio Free Europe” - he was probably in the same boat), whilst the music’s fondness for avoiding the obvious meant that there was more to explore than a numb backbeat or bratty bawling about being bored.
With several of the tracks resulting out of studio jams, producers Mitch Easter and Don Dixon had the foresight to roll the tapes ahead of final takes. Edited down, these vignettes pepper the album building mood and mystery ahead of the actual songs.
Displaying a remarkable maturity, they’re unafraid to experiment. The vein-popping “9-9” constantly moves the pulse into unexpected timings without ever sounding precocious. Their sure-handedness with glorious melodies such as “Perfect Circle ” hints at things to come; the sweet, descending chorus resolves wonderfully without ever schmoozing the saccharine zone. The tribal thump of “Moral Kiosk” or “Pilgrimage’s” yearning lines proves we don’t have to have everything spelt out in rockist crayons in order to find meaning or be uplifted. Unapologetically intelligent, Murmur is a fully-fledged classic. --Sid Smith
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R.E.M. was formed in Athens, Georgia in 1980, originally playing under the name Twisted Kite and performing garage rock covers and original folk-rock songs. "Radio Free Europe," their first single, was recorded in 1981, released on the tiny Hib Tone label, and showed that all of the pieces that would becoming familiar, the jangle pop sound and cryptic lyrics, were already in place: you cannot help singing along with the chorus even if you have no clue what the rest of Michael Stipe's lyrics are saying. The single topped the "Village Voice" poll for Best Independent Single, and landed the group the I.R.S. contract. After an EP, "Chronic Town," the full-length "Murmur" constituted the group's debut album. While there is not another track as solid as "Radio Free Europe" on the album, the rest of the songs are clearly in that vein.
The songs on "Murmur" have an atmospheric quality that is quite distinctive, although you can certainly see strong folk-rock, post-punk, and garage-rock elements throughout, although what R.E.M. does with those elements is unique as well. "Talk About the Passion" is the other signature song from the album, and a prime example of how Stipe's lyrics attain great depth by refusing to be pinned down (although having some lyrics in French is adding insult to injury for those of us who always have trouble understanding what exactly he is singing). "Catapult" is a good example of what a pop song sounds like in R.E.M.'s hands (and the effective way in which bassist Mike Mills often responds to Stipe's vocals in the chorus), with "Pilgrimage" and "Perfect Circle" showing their expanding musical range. This is not to say all of these songs hold up; "Moral Kiosk" sounds rather dated as the exception to the rule. But overall this is a landmark album should end up being one of your favorite R.E.M. albums.
Getting to the songs - well where to start. Murmur is packed with imagination, mystery, beauty and emotion. Perfect Circle is as good a song as they have written. Talk about the Passion is wonderful. All twelve tracks have something to offer. The trio of Pilgrimage, Moral Kiosk and 9-9 provide so much repeated joy.
Some critics have pointed towards Stipe's vocals as being too hard to figure out - but thats half of the appeal - you bring your own interpretation to the song, more so with the songs on Murmur. For me music isn't all about the meaning of the lyrics, its about the way it makes me feel. Murmur is awesome - an album to make you feel special. An album to treasure.
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