Applause. Kurt's voice. More applause. This, my friends is the start to the wonderful Nirvana's swan-song and what a start it is. About A Girl is not the high-point of the album but certainly a song liberated from the raw surroundings of its original recording. Come As You Are is very, very different to the confident, up for it version on Nevermind and is less a statement of intent but more a sorrowful lament to a past dream. "And I swear that I don't have a gun, no I don't have a gun" is one of the most haunting moments of music I've EVER heard and sends a shiver down your spine. Then a shaft of light after the introspection of the previous track, as the cheerful Jesus Doesn't Want For A Sunbeam makes you smile as you think of the bass-beserker Krist on accordion. The cover of Bowie's The Man Who Sold The World is also brilliant but not as ultimately moving as the others. Pennyroyal Tea is. Kurt is on his own and singing, no howling, as if his life depended on it. His cigarette-drenched vocals transport you to somewhere you never thought Nirvana could take you. The brilliant, bass-heavy Dumb picks you up and then puts you down all in the space of two and a half minutes and is yet another testament to the genius that is Kurt Cobain. Polly is not quite as good as the album version as it doesn't have quite the same metamorphosis as it's neighbours and just seems thinner. But they don't let you hang for long as they pick it up again with the suberb On A Plain which is BETTER than the album version. Again one line burrows into your mind and turns it inside-out. "I love myself better than you" uses the acoustics of the auditorium to perfection and haunts you. Something In The Way suffers from the same problems as Polly but it's likeable enough. Enter The Meat Puppets! Kurt takes a break from guitar duties and just concentrates on belting out the vocals and leaves the Kirkwood brothers to be musical maestros on the equally fantastic Plateau, Oh Me and Lake Of Fire. Exit The Meat Puppets! Then came All Apologies which isn't as lush as the studio version but just as good only in a different way. The mantra "All in all is all we are" repeated over and over makes you thoughtful but optimistic. Another thing I can never quite understand about people's preconceptions of Nirvana. They are not depressing!! No song to me sounds like it's dwelling on it's angst, but it's an exorcism, wanting to change things and make the world better. But, back to the subject, there was just one song left, the Leadbelly cover of Where Did You Sleep Last Night. Nothing special - until the end. It ambles along nicely but then transforms as Kurt takes the howls of earlier track to the next stage and screams out the last lines. Believe me, it blows you away with it's unstoppable passion and leaves you astounded. Applause, the band's voices and the end to another defining Nirvana album.