Amazon.co.uk allows you to pay for your items in your local currency. Restrictions apply. Learn More. |
Frequently Bought Together
Product details
|
Listen to Samples and Buy MP3s
|
Product Description
Amazon.co.uk Review
Review
What do we learn from the gentle stroll-through renditions of “Come As You Are” or “About A Girl” that wasn’t said more successfully on the originals? The muted expression in these campfire run-throughs, as though the band are sensitive about having their playing exposed to the kind of scrutiny the Unplugged format invites, makes them tentative and tepid compared to their fiery forebears. Only “Something In The Way” with added cello gravitas seems to be comfortable in its new arrangement.
With more cutting-edge than a sawmill working double shifts, Nirvana’s clout was always located in their sound as much as the songs themselves, whose essence was utterly defined by their reliance on electricity. As with most of the grunge movement their material is so intrinsically linked to the juice that without it, this stuff has a slightly hollow ring to it.
It’s interesting that they seem to audibly relax and stretch a little when playing other people’s songs–notably on the Meat Puppets’ lamentation “Oh Me” and The Vaselines’ “Jesus Doesn’t Want Me For A Sunbeam.”
Had Cobain lived this set would be viewed as a mildly entertaining but probably flawed diversion from the real action. Released after his suicide in 1994, it was inevitable that the album was greeted with the kind of fervour that in days gone by might have been accorded to the relics of a martyred Saint. For all the hype though, this set fails to get close to the plugged-in bite that was part and parcel of their strength and appeal. --Sid Smith
Find more music at the BBC This link will take you off Amazon in a new window
Tags Customers Associate with This Product(What's this?)Click on a tag to find related items, discussions, and people.
|
Customer Reviews
sitting down on the sofa with a hangover and flicking through the channels to find the live recording of this set just beginning came like a revelation against that background. where there had only been rage and passion before, now there seemed to be compassion and a calmer, purer music. i get shivers even now thinking about what might have been had these guys been around for a few more years. the range made nirvana complete and the vision of kurt as this vulnerable, lost looking guy with these baleful eyes and pleading tone in his voice will forever define him to his fans.
grunge was always about embracing the imperfections in sound and enjoying whatever happened on the day with live performances. peculiarly it is the covers that stand out because here without rehearsal is our only evidence of how nirvana might otherwise have sounded on future live sets. it is unembellished and glorious for it.
the versions of bowie's man who sold the world and the meat puppets' plateau and lake of fire were so good that they must have sold records for the respective artists. and come the rendition of ledbelly's where did you sleep last night you can almost feel kurt's pain.
is this the masterpiece? does it matter..?
Customer Discussions
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
![[Start the discussion]](http://g-ecx.images-amazon.com/images/G/02/x-locale/communities/discussion_boards/start-new-discussion-sec._V192198663_.gif){kind=small}
What Other Items Do Customers Buy After Viewing This Item?
Listmania!
|
|
Look for similar items by category
Look for similar items by subject
Feedback
- Would you like to update product info or give feedback on images?
|
