- Hardcover: 240 pages
- Publisher: The Nour Foundation in association with Azimuth Editions and Oxford University Press (Oct 1992)
- Language English
- ISBN-10: 0197276016
- ISBN-13: 978-0197276013
- Product Dimensions: 37.5 x 27.1 x 3.9 cm
- Amazon Bestsellers Rank: 3,246,600 in Books (See Top 100 in Books)
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Product Description
Book Description
The Khalili Collection is the greatest collection of Islamic art in private hands; it is continuing to grow and improve. It contains a large and comprehensive range of Qur'anic material, covering the entire history of Qur'an production from the seventh to the twentieth century, including examples from centres as far apart as Spain and India. This is the second of four volumes cataloguing the Qur'ans in the Khalili Collection. Notable among the manuscripts in this volume is a
Qur'an by the greatest calligrapher of the Middle Ages, Yaqut al-Musta`simi, which is exceptional in that it retains its original illumination. Other masterpieces include a Qur'an written in gold from twelfth-century Iraq ; the only twelfth-century Qur'an from Valencia still in private hands, and a manuscript that is possibly the earliest Qur'an to survive from India. The lavish presentation of this catalogue is combined with detailed scholarship that not only encompasses the history of the
subject, but also presents in accompanying essays new findings that have been made in the course of cataloguing. The text is supported by notes, up-to-date bibliography, and index, while inscriptions are reproduced in their original languages, with English translations. Dr James is an internationally renowned authority on Arab and Persian manuscripts, and on Qur'ans in particular.
Qur'an by the greatest calligrapher of the Middle Ages, Yaqut al-Musta`simi, which is exceptional in that it retains its original illumination. Other masterpieces include a Qur'an written in gold from twelfth-century Iraq ; the only twelfth-century Qur'an from Valencia still in private hands, and a manuscript that is possibly the earliest Qur'an to survive from India. The lavish presentation of this catalogue is combined with detailed scholarship that not only encompasses the history of the
subject, but also presents in accompanying essays new findings that have been made in the course of cataloguing. The text is supported by notes, up-to-date bibliography, and index, while inscriptions are reproduced in their original languages, with English translations. Dr James is an internationally renowned authority on Arab and Persian manuscripts, and on Qur'ans in particular.
Inside This Book
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First Sentence
The principles that underlay Qur'an production in the Eastern Islamic world in the later Middle Ages were first formulated in Iraq at the very beginning of the 11th century ad and gradually usurped the traditional rules of Qur'an production throughout the region. Read the first page Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
The principles that underlay Qur'an production in the Eastern Islamic world in the later Middle Ages were first formulated in Iraq at the very beginning of the 11th century ad and gradually usurped the traditional rules of Qur'an production throughout the region. Read the first page Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Synopsis, 20 Jun 2000
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This review is from: THE MASTER SCRIBES: Qur'ans of the 11th to 14th Centuries AD (The Nasser D. Khalili Collection of Islamic Art, VOL II): Qur'ans of the 10th to 14th Centuries A.D. (Hardcover)
Synopsis The Khalili Collection is the greatest collection of Islamic art in private hands; it is continuing to grow and improve. It contains a large and comprehensive range of Qur'anic material, covering the entire history of Qur'an production from the seventh to the twentieth century, including examples from centres as far apart as Spain and India. This is the second of four volumes cataloguing the Qur'ans in the Khalili Collection. Notable among the manuscripts in this volume is a Qur'an by the greatest calligrapher of the Middle Ages, Yaqut al-Musta`simi, which is exceptional in that it retains its original illumination. Other masterpieces include a Qur'an written in gold from twelfth-century Iraq; the only twelfth-century Qur'an from Valencia still in private hands; and a manuscript that is possibly the earliest Qur'an to survive from India. The lavish presentation of this catalogue is combined with detailed scholarship that not only encompasses the history of the subject, but also presents in accompanying essays new findings that have been made in the course of cataloguing. This book is intended for art historians, Islamicists, collectors and curators of Islamic art.
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