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In Lynch on Lynch, a 250-page interview book, editor Chris Rodley does a superb job of getting Lynch to talk at length about the high and low points of his life and career. Their conversation covers his early work as a painter through the making of his major films of the 1980s, the fiasco of Dune ("It is what it is"), and the recent and very obscure Lost Highway ("I just loved this title").
Lynch is particularly interesting when he talks about the creative process: "I don't want to give the impression that I sit around thinking up horrible things. I get all kinds of different ideas and feelings. If I'm lucky, they start organizing themselves into a story--then maybe some ideas come along that are too eerie, too violent, or too funny, and they don't fit that story. So you write them down and save them for two or three projects down the road. There's nowhere you can't go in a film--if you think of it, you can go there." Lynch on Lynch is a treat for Lynch fans of all shapes, sizes and fetishes. --This text refers to an out of print or unavailable edition of this title.
Now fully updated, Lynch on Lynch describes the career of a cinematic genius who has continued to astonish filmgoers with the lovely and life-affirming The Straight Story and the luxurious dread of the Academy Award-nominated Mulholland Drive.
David Lynch erupted onto the cinema landscape with Eraserhead, establishing himself as one of the most original, imaginative, and truly personal directors at work in contemporary film. He is a surrealist, in the tradition of the great Spanish director Luis Bunuel. Over the course of a career that includes such films as The Elephant Man, Blue Velvet, Wild at Heart, Lost Highway, and the seminal TV series Twin Peaks, Lynch has remained true to an artistic vision of innocence lost or adrift in the direst states of darkness and confusion. Nobody else sees the world quite as David Lynch does. Once seen, his films are never forgotten, nor does the world about us seem quite as it did before.
In this definitive career-length interview book, Lynch speaks openly about the full breadth of his creative work, which encompasses not only movies but also a lifelong commitment to painting, a continuing exploration of photography, extensive work in television, and musical collaborations with composer Angelo Badalamenti and singer Julee Cruise.
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