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Lulu (With Metallica)
 
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Lulu (With Metallica)

31 Oct. 2011 | Format: MP3

£7.99 (VAT included if applicable)
Buy the CD album for £3.47 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
30
1
4:21
30
2
5:20
30
3
7:24
30
4
6:52
30
5
4:37
30
6
11:26
30
7
8:33
30
8
8:01
30
9
11:10
30
10
19:28
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Product details

  • Original Release Date: 31 Oct. 2011
  • Release Date: 31 Oct. 2011
  • Label: Virgin EMI
  • Copyright: (C) 2011 Sister Ray Enterprises Inc. / We're Only In It For The Music Inc. under exclusive licence to Universal International Music B.V.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:27:12
  • Genres:
  • ASIN: B005WKESX8
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (154 customer reviews)
  • Amazon Bestsellers Rank: 37,143 in Albums (See Top 100 in Albums)

Customer Reviews

3.1 out of 5 stars

Most Helpful Customer Reviews

10 of 11 people found the following review helpful By GAVIN BOULBY on 13 Jan. 2014
Format: Audio CD
I was a huge Metallica fan in the mid-80s Ride the lightning/Master of puppets era. I did buy 'Justice' and 'Black' but had drifted away into other things by then, to be honest and didn't pay them that much attention. Haven't heard anything by them since.
This, though, is immense and deserves close attention.
Track 1 Brandenburg Gate got my immediate attention, from the first few urgently strummed acoustic chords and Reed's spoken lyrics, but the album gets much better from there on.
2. The View features an immensely heavy riff, reminiscent of early Black Sabbath to my ears. Surely this must satisfy any metal fan and the purchase price was worth it for this song alone?
3. Pumping Blood is a bit variable. A simple riff with a wonderful whining lead guitar and Lou Reed screaming all through it but doesn't seem to be going anywhere really. With a minute to go it suddenly explodes into classic early 80s thrash. Great.
4. Mistress Dread starts off with what can only be described as a manic, breathless, relentless, thrash assault. Lou is speaking something but quite honestly who cares? It just adds to the mix. Towards the end the riffing dies down then starts again several times. Quite superb.
5. Iced Honey starts off quite poorly - just a real dirge of a plodding riff. Doesn't really go anywhere. Fairly forgettable and arguably the worst track on the album.
5. Cheat On Me slows things down with a lovely quiet intro and Lou repeating 'Why do you cheat on me?' over the top. Gradually the piece picks up pace and volume and turns into a really classy, mature piece of hard rock. Excellent.
6. Frustration. Awesome. A massive riff that my speakers can barely handle. Just a really heavy song, again with obvious Black Sabbath influences.
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6 of 7 people found the following review helpful By Adrian Gonbar on 4 Oct. 2014
Format: Audio CD
First of all, Lulu is not a Metallica's album, although the band contributed not only its committed playing, but also a good part of the music's credits (to a great extent improvised). Instead, this is rather another “difficult” Lou Reed's album. A set of songs on sick sex-lust-love-hate relationships, power, abuse, perversion, sleaze, degradation, self-destruction, inner struggle, guilt, bad fate, emptiness, solitude, desperation ... yet also not so evident touches of innocence and tenderness.
“Lulu” is no ordinary material. It is based on two plays written by the German dramatist Frank Wedekind: “Earth Spirit” (1895) and “Pandora's Box” (1904), known as “the Lulu plays”. These works had previously inspired Pabst's silent movie “Pandora's Box” (1929), and Alban Berg's opera “Lulu” (1937). Much more recently, dramatist and Reed's familiar collaborator Robert Wilson was working in a new adaptation of the original plays, and through Wilson's theater project Lou became interested in making some music based on Lulu.
Then, as Mark Deming (All Music Guide) notes, in this album “Lou Reed sings from the perspective of a young woman who is corrupted by her experiences with men, as well as some of the characters she meets”.
I'm using the verb “to sing” and the noun “song” in their broadest sense here. I'm not the one to discuss the exact meaning of those concepts (a task that exceeds my knowledge, yet I confess that I don't care much about it). But certainly most of the songs have no melody at all, no chorus, some of them not even a defined key (the only “straight” song being “Iced Honey”). Reed recites the lyrics with the mastery he has exhibited many times before, while Metallica, plus a strings quartet and some electronics played by Sarth Calhoun, set the sonic landscape.
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33 of 39 people found the following review helpful By Majanen Juhani on 8 Nov. 2011
Format: Audio CD
It is a tough album to get into. More so if you bought it with any subjective expectations as to what you're getting. I think a lot of people saw it as a new Metallica album, featuring Lou Reed. Indeed it's the other way around. It is not a new Metallica album, but a Lou Reed & Metallica album. Forget Death Magnetic (fantastic, by the way), because you're not doing anyone a service by comparing it to Lulu.

If you're a close-minded hardcore Metallica listener (if you think I mean hardcore Metallica listeners are close-minded, read it again) you will be disappointed. If you are a music appreciator, an art appreciator, and a Lou Reed and Metallica appreciator, you will need to buy this.

There have been terrible criticisms of the singing, that in some parts of some songs it's out of sync and out of place with the music accompanying it. The whole experience, however, is a tight package of creativity, based on lyrics written by Reed for the play Lulu. I can't stress it enough that this album is something separate the known sphere of Metallica productions, and that is the main thing listeners need to understand and even get past to appreciate this as a music album.

My favourites, after listening to the whole album twice, are Pumping Blood, Iced Honey, Cheat On Me and Junior Dad. The latter two take me back to Velvet Underground's creepy ambient, nearly static croon. I'd even dare to say that Junior Dad is my very favourite piece on this album. I like it even with "those stupid violins that go on for NINE F***ING MINUTES!". Just beautiful atmosphere, great lyrics.
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