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Lulu Double CD

3.2 out of 5 stars 166 customer reviews

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Product details

  • Audio CD (31 Oct. 2011)
  • Number of Discs: 2
  • Format: Double CD
  • Label: Vertigo Records
  • ASIN: B005LNCMIE
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (166 customer reviews)
  • Amazon Bestsellers Rank: 4,332 in Music (See Top 100 in Music)
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Product Description

Product Description

Lulu is the landmark collaboration album between two of music's true heavyweights, but yet surprising artistic bedfellows, Metallica and Lou Reed.

BBC Review

In many ways Metallica have for a long time been not one, but two bands. In the summer months they are the world’s premiere full-blooded rock act, content to bask at such locations as Yankee Stadium in the legacy afforded them by albums such as Master of Puppets and songs like Enter Sandman. But as a corollary to this there exists a group whose creative heart beats daring and strong. The Bay Area quartet first met Lou Reed – a man whose own artistic pursuits have for decades been captured on releases both excellent and execrable – when both parties were part of the class of 2009 inducted into the Rock and Roll Hall of Fame in Cleveland. The five men got talking and decided to make an album. Perhaps it’s a good job Bette Midler wasn’t being honoured that day.

Although, in truth, this is not quite as startling an album as its billing may suggest. Inspired by a series of demos prepared by Reed for a musical production of two plays by the 19th century German dramatist Frank Wedekind – which in itself offers a clue that this is no Back in Black – Lulu adheres to both of the parties’ core instincts: on the part of Metallica there is an elongated and thoughtful, not to mention breathlessly heavy, musical spine; while Lou Reed’s atonal and monochromatic vocals lay with deliberate ill-ease atop it all, like an oil slick on an ocean.

At 90 minutes in length, Lulu is no light snack. The overall effect of the album is one of claustrophobia, of an unsettling and relentless assault that is more artistic instillation than rock opera. These are the aspects of the album that will take time to bed-in, in order that the jarring nature of much of this work will acclimatise itself to the listener’s ear. But even allowing for this it seems clear that this collaboration adheres to a careful and deliberate design. Following the avalanche of oppression that precedes it, Lulu’s denouement comes in the form of the 19-minute Junior Dad, a track with a groove of such gloriously hypnotic power that its effect is akin to being rescued after months trapped in a pothole.

Much advance word of Lou Reed and Metallica’s excursion has been one of bewilderment and dismissal. It may well be, though, that in the fullness of time this is an album that is given the praise it deserves. --Ian Winwood

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Customer Reviews

Top Customer Reviews

Format: Audio CD
I was a huge Metallica fan in the mid-80s Ride the lightning/Master of puppets era. I did buy 'Justice' and 'Black' but had drifted away into other things by then, to be honest and didn't pay them that much attention. Haven't heard anything by them since.
This, though, is immense and deserves close attention.
Track 1 Brandenburg Gate got my immediate attention, from the first few urgently strummed acoustic chords and Reed's spoken lyrics, but the album gets much better from there on.
2. The View features an immensely heavy riff, reminiscent of early Black Sabbath to my ears. Surely this must satisfy any metal fan and the purchase price was worth it for this song alone?
3. Pumping Blood is a bit variable. A simple riff with a wonderful whining lead guitar and Lou Reed screaming all through it but doesn't seem to be going anywhere really. With a minute to go it suddenly explodes into classic early 80s thrash. Great.
4. Mistress Dread starts off with what can only be described as a manic, breathless, relentless, thrash assault. Lou is speaking something but quite honestly who cares? It just adds to the mix. Towards the end the riffing dies down then starts again several times. Quite superb.
5. Iced Honey starts off quite poorly - just a real dirge of a plodding riff. Doesn't really go anywhere. Fairly forgettable and arguably the worst track on the album.
5. Cheat On Me slows things down with a lovely quiet intro and Lou repeating 'Why do you cheat on me?' over the top. Gradually the piece picks up pace and volume and turns into a really classy, mature piece of hard rock. Excellent.
6. Frustration. Awesome. A massive riff that my speakers can barely handle. Just a really heavy song, again with obvious Black Sabbath influences.
Read more ›
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Format: Audio CD Verified Purchase
not into or out of metallica as a band, heard very little of their music,would I be interested now I heard Lulu? not really,if I hadn't heard much of the killers before that masterpiece with lou reed would I be interested? definitely yes..but having said all that metallica were absolutely awesome on Lulu.I play guitar ok, but you know when you hear those special pieces of guitar work? to me, it was all over the album, and not a bad drummer too! for whatever reason my pc wouldn't rip the 1st tracks on both cd's or #7 on cd2 frustration (aptly titled) I have heard a lot of lou reed I have got a lot too, and the only way I can explain myself better over this album is to say I don't think the magic would have been there for lou without metallica and I am listening to 'junior dad' and I love it! but I loved the others on 1st hearing also.Not sure if I heard right that its music for a play? (I liked the Timerocker lou did)I would listen to Lulu before a few lou 1980 specials to be honest..i love words and only briefly looked over the Lulu lyrics and hes out there is our Lou, out their on his own for the dirty direct shit-street vernacular, nothing comes close to 'street hassle' and I love the ways he uses his voice with some decent backing vocals from metallica too.I don't know how one lou reed 'fan' who wrote a review I read a good while ago and he done his top 10 or something lou reed albums and he slagged 'coney island baby' off!!! so we all have our weirdosities..in short I will now buy Lulu on vinyl because after reading a lot of bad criticism aimed at it I got the cd 1st..only because it could wait and I bought a nico live lp and velvet underground lp that used up a bit of dosh..LULU 4/5 It is quite brilliant!
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Format: Audio CD Verified Purchase
In all honesty this was far better than I expected..I have waited for the dust to settle on this release and now that it's at a price I was willing to risk paying well...I bought it.
In honesty this is far from being the best metallica release and although I don't have too much the bits I have suggest this may not be Lou Reeds finest neither.
That said there's much to like I like Reeds vocal on this a kind of ragged low baritone that spits out words and the only real problem I have with the release is it maybe doesn't deliver its full potential.
The best stuff on this release to my ears was found on the second CD ,despite enjoying metallica I found the second CD less like them eschewing a traditional rock sound and created a more ambient soundscape which suited the material more in my opinion,In fact listening to the second CD made me wonder how much better this could have been if say Earth had been the collaborative party.
Part of the problem I think is Metallica have a established sound which is difficult for them to break from, they have been truly innovative through their career and so have a great scope of sound however this CD fails to reflect this.
There is a emphasis on a traditional rock sound on many of the tracks which I think holds this back..there are flashes of brilliance mind you and it's not half as bad as it's been made out to be.
Fair dues to Metallica too for at least trying this..it was always going to be a hard sell.
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Format: Audio CD
It is a tough album to get into. More so if you bought it with any subjective expectations as to what you're getting. I think a lot of people saw it as a new Metallica album, featuring Lou Reed. Indeed it's the other way around. It is not a new Metallica album, but a Lou Reed & Metallica album. Forget Death Magnetic (fantastic, by the way), because you're not doing anyone a service by comparing it to Lulu.

If you're a close-minded hardcore Metallica listener (if you think I mean hardcore Metallica listeners are close-minded, read it again) you will be disappointed. If you are a music appreciator, an art appreciator, and a Lou Reed and Metallica appreciator, you will need to buy this.

There have been terrible criticisms of the singing, that in some parts of some songs it's out of sync and out of place with the music accompanying it. The whole experience, however, is a tight package of creativity, based on lyrics written by Reed for the play Lulu. I can't stress it enough that this album is something separate the known sphere of Metallica productions, and that is the main thing listeners need to understand and even get past to appreciate this as a music album.

My favourites, after listening to the whole album twice, are Pumping Blood, Iced Honey, Cheat On Me and Junior Dad. The latter two take me back to Velvet Underground's creepy ambient, nearly static croon. I'd even dare to say that Junior Dad is my very favourite piece on this album. I like it even with "those stupid violins that go on for NINE F***ING MINUTES!". Just beautiful atmosphere, great lyrics.
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