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Lucy Gordon, Walker's wacky, beguiling heroine is dealing with a demanding boss (known as Slave Driver), her two critical friends (Jane and Bella) and her family of likeable eccentrics. While everyone tries to draw her attention to the fact that her attractive but fickle boyfriend Greg is taking advantage of her, Lucy's sunny nature blinds her to things that are obvious to everyone else. However, various professional and personal difficulties pitch her into a series of disasters and her equilibrium finally starts to get shaken. Will Walker grant her a happy ending?
This is delightful stuff, and while the e-mail novel is no longer such an innovative concept (perhaps it was when Walker started this), it's still brought off very cleverly here. Plus Walker's skill at finding some middle way between the way people really speak and the more witty discourse of the novel is brilliantly deployed:
He cooked me dinner--yes! This is a first. Admittedly it was only a boil-in-the-bag curry while we were watching a video, but I think it's a positive development in the relationship. I now have two jumpers, a toothbrush, a jar of moisturiser and a pair of jogging trainers in permanent residence at his flat. Am planning to sneak more items in without his noticing over next few weeks in the hope that it will subliminally trigger a sense of security and commitment in him. He's off to a stag party tonight, but I'm popping round first to help him on with his caveman outfit...--Barry Forshaw --This text refers to an out of print or unavailable edition of this title.
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The constant switching between letters, e-mails and actual "action" is confusing and doesn't enable you to bring the story to life in your head - if like me thats what you like to do.
On the whole I would suggest any of the other Fiona Walker books they are unputdownable and laugh out loud funny. This I'm afraid doesn't hit the spot.
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