Lucky Man: A Memoir [Paperback]

The same sharp intelligence and self-deprecating wit that made Michael J Fox a star in the Spin City television series and Back to the Future films make Lucky Man a lot punchier than the usual up-from-illness celebrity memoir.

Yes, he begins with the first symptoms of Parkinson's disease, the incurable illness that led to his retirement from Spin City (and acting) in 2000. And yes, he assures us he is a better, happier person now than he was before he was diagnosed. In Fox's case, you actually might believe it, because he then cheerfully exposes the insecurities and self-indulgences of his pre-Parkinson's life in a manner that makes them not glamorous but wincingly ordinary and of course very funny. ("As for the question, 'Does it bother you that maybe she just wants to sleep with you because you're a celebrity?' My answer to that one was, 'Ah... nope.'")

From a Canadian, working-class background, Fox has an unusually detached perspective on the madness of mass-media fame; his description of the tabloid feeding-frenzy surrounding his 1988 wedding to Tracy Pollan, for example, manages to be both acid and matter-of-fact. He is frank but not maudlin about his drinking problem, and he refreshingly notes that getting sober did not automatically solve all his other problems. This readable, witty autobiography reminds you why it was generally a pleasure to watch Fox on screen: he's a nice guy with an edge, and you don't have to feel embarrassed about liking him. --Wendy Smith --This text refers to the Hardcover edition.

'An enthralling story, told with verve and dexterity'

‘Well-written and insightful... a rare, unmissable memoir'

‘Real power…compelling reading…his book often has the intensity of a thriller’

Michael J. Fox's remarkable story of his ten-year battle with Parkinson's Disease - now in mass market paperback

In September 1998, Michael J. Fox stunned the world by announcing that he had been diagnosed with Parkinson's disease - in fact, he had been secretly fighting it for seven years. Now, with his trademark ironic sensibility and sense of the absurd, he tells the story of his life - from his childhood in western Canada to his meteoric rise in film and television and, most importantly, the last ten years, during which - with the unswerving support of his wife, family, and friends - he has dealt with his illness. He talks about what Parkinson's has given him: the chance to appreciate a wonderful life and career, and the opportunity to help search for a cure and spread public awareness of the disease. He feels as if he is a very lucky man indeed. (20021018)

Michael J. Fox’s remarkable story of his ten-year battle with Parkinson’s Disease. --This text refers to the Hardcover edition.

Michael J. Fox is best known today for his hit Channel Four sitcom Spin City that he also produced. In the eighties he became an international mega-star, first through TV shows such as Family Ties, then through the record-breaking Back To The Future movies. (20021018)

CHAPTER ONE
A Wake-up Call
Gainesville, Florida-November 1990
I woke up to find the message in my left hand. It had me trembling. It wasn't a fax, telegram, memo, or the usual sort of missive bringing disturbing news. In fact, my hand held nothing at all. The trembling was the message.
I was feeling a little disoriented. I'd only been shooting the movie in Florida for a week or so, and the massive, pink-lacquered, four-poster bed surrounded by the pastel hues of the University Center Hotel's Presidential Suite still came as a bit of a shock each morning. Oh yeah: and I had a ferocious hangover. That was less shocking.
It was a Tuesday morning, so while I couldn't recall the exact details of the previous night's debauchery, it was a pretty safe bet that it had something to do with Monday Night Football. In those first few seconds of consciousness, I didn't know what time it was, but I could be fairly certain that I hadn't overslept. If I was needed on set, there would have been a phone call from my assistant, Brigette. If I had to leave the hotel at 10:00 a.m., let's say, she would have called at 9:30, again at 9:40, then finally at 9:50 she would have taken the elevator from her floor up to mine, let herself into my room, propelled me to the shower, and slipped into the kitchen to brew a pot of coffee. None of that having transpired, I knew I had at least a few minutes.
Even with the lights off, blinds down, and drapes pulled, an offensive amount of light still filtered into the room. Eyes clenched shut, I placed the palm of my left hand across the bridge of my nose in a weak attempt to block the glare. A moth's wing-or so I thought-fluttered against my right cheek. I opened my eyes, keeping my hand suspended an inch or two in front of my face so I could finger-flick the little beastie across the room. That's when I noticed my pinkie. It was trembling, twitching, auto-animated. How long this had been going on I wasn't exactly sure. But now that I noticed it, I was surprised to discover that I couldn't stop it.
Weird-maybe I slept on it funny. Five or six times in rapid succession I pumped my left hand into a fist, followed by a vigorous shaking out. Interlocking the fingers of each hand steeple-style with their opposite number, I lifted them up and over behind my head and pinned them to the pillow.
Tap. Tap. Tap. Like a moisture-free Chinese water torture, I could feel a gentle drumming at the back of my skull. If it was trying to get my attention, it had succeeded. I withdrew my left hand from behind my head and held it in front of my face, steadily, with fingers splayed-like the bespectacled X-ray glasses geek in the old comic book ad. I didn't have to see the underlying skeletal structure; the information I was looking for was right there in the flesh: a thumb, three stock-still fingers, and out there on the lunatic fringe, a spastic pinkie.
It occurred to me that this might have something to do with my hangover, or more precisely, with alcohol. I'd put away a lot of beers in my time, but had never woken up with the shakes; maybe this was what they called delirium tremens? I was pretty sure they would manifest themselves in a more impressive way-I mean, who gets the d.t.'s in one finger? Whatever this was, it wasn't alcoholic deterioration.
Now I did a little experimentation. I found that if I grabbed my finger with my right hand, it would stop moving. Released, it would keep still for four or five seconds, and then, like a cheap wind-up toy, it would whir back to life again. Hmmm. What had begun as curiosity was now blossoming into full-fledged worry. The trembling had been going on for a few minutes with no sign of quitting and my brain, fuzzy as it was, scrambled to come up with an explanation. Had I hit my head, injured myself in some way? The tape of the previous night's events was grainy at best. There were a lot of blank spots on it, but there were a couple of possibilities too.

Woody Harrelson was in Gainesville with me on this film, and he had been in the bar the night before-maybe we'd had one of our legendary drunken slap fights. Woody and I were (and remain) close friends, but for some reason after an indeterminable amount of alcohol consumption, we'd find some excuse to start kicking over chairs and stage elaborate mock brawls. No harm was intended, and the majority of punches were pulled, but Woody is a foot taller and fifty pounds heavier than me, which meant that whenever the game got out of hand, I was always the one that took the most serious ass-kicking. So maybe I'd caught a Harrelson haymaker to the side of the head.
But I couldn't recall any such melee. I did recall, however, a moment at the end of the night, when my bodyguard, Dennis, had had to prop me up against the door frame while he fumbled the key into the door of my suite. By the time he'd turned the knob, my weight had shifted onto the door itself; as he flung it open I'd careened into the room, barreling headfirst into the foyer table. But I didn't feel any bumps, so that couldn't have been it. Any pain in my head was from boozing, not bruising.