By this volume, which contains two arcs, Carey and his regular artistic team of Gross & Kelly and Dean Ormston have established the main pantheon of characters and developed a definite artistic style. The pace and the stakes have been raised and the stage is being set for the main part of the show.
The first arc is composed as a Tryptych which follows Mazikeen, Elaine Belloc and Lucifer in turn.
Mazikeen is looking for a way to return to her former visage and returns to the less than loving embrace of her own kind in search of a way. Carey's writing is excellent as we follow Mazikeen in fatalistic mood, acting with small hope of success but, like her mentor, with great determination. This story goes some way to explaining the depth of feeling between Mazikeen and Lucifer. She loves him freely, but not as an equal.
Is her determination a quality that draws him to her or a subconscious desire to emulate her lover?
Elaine Belloc's story is a slight diversion and while it explores her character and circumstances, it serves largely as an introduction to the fields of pain and Lady Lys.
Lucifer's tale is a gem and a blasphemous allegory as `mankind' gets a second chance at Eden, under new management and simpler rules.
The final story concentrates on the household of a demonic lord (Arux) and in particular his daughter Lys. The political machinations of the lords of hell are been conducted during a faddish charade of 16th/17th Century European style and when Lady Lys retrieves a damned soul from the pit for her own amusement, she sets in motion a series of events that will have significant and potentially long lasting consequences.