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Low
 
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Low

21 Aug. 2006 | Format: MP3

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Song Title
Time
Popularity  
30
1
2:46
30
2
1:52
30
3
2:23
30
4
3:04
30
5
3:33
30
6
2:57
30
7
2:53
30
8
6:23
30
9
3:47
30
10
3:28
30
11
5:41
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Product details

  • Original Release Date: 20 Sept. 1999
  • Release Date: 21 Aug. 2006
  • Label: Parlophone UK
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 38:47
  • Genres:
  • ASIN: B001IQLMIE
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (73 customer reviews)
  • Amazon Bestsellers Rank: 9,366 in Albums (See Top 100 in Albums)

Customer Reviews

4.4 out of 5 stars

Most Helpful Customer Reviews

44 of 46 people found the following review helpful By Lozarithm VINE VOICE on 17 Mar. 2006
Format: Audio CD
The first of a trio of albums that David Bowie co-produced with Tony Visconti at Conny Plank's Hansa Studios by the Wall in Berlin, Low (originally titled New Music - Night And Day) represented probably the most radical change of colour that the chameleon that was Bowie had so far affected. Their relatively poor sales at the time of release were instrumental in Bowie and RCA parting company (though all three reached the UK album top five), but have served only to enhance Bowie's standing over the decades.
Bowie has described the album as one that was extremely important to him and which had an influence on English music thereafter through its ambience and drum sounds. All three albums (Low, "Heroes" and Lodger) featured the involvement of Brian Eno, whose presence is clearly audible throughout, though on Low he is working to Bowie's brief rather than in true collaboration and has only one shared composer credit on the album, Warszawa.
Work on the album began in France at the Chateau d'Hérouville in June 1976, where Bowie was working with Iggy Pop in preparation for his album, and both albums feature the two of them with Ricky Gardiner and Carlos Alomar on guitars. Low therefore also belongs to a second trilogy, alongside The Idiot and Lust For Life, its sequel.
Bowie and Iggy relocated in 1976 to Berlin, to live and work and to kick their cocaine habits - a bizarre strategy which against all odds seemed to work. The resultant Low is an album of two distinct sides, an aspect that the CD format slightly unravels.
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23 of 25 people found the following review helpful By A Customer on 17 Jan. 2000
Format: Audio CD
David Bowie was a superstar of the Seventies, his appeal kept fresh as he kept with the times, his well-known glam rock era to his success in America with soul music. His hippy orientated early days to his celebrated Berlin trilogy of albums. In 1977 Bowie kicked cocaine addiction in the cocaine capital of Europe; he also released one of the foremost albums in post-war music that helped change the face of European mainstream...
Low is the first of the set from the Berlin trilogy, which included also the LPs "Heroes", and Lodger, which also received lesser acclaim. Low was a relative commercial failure producing one surprise-hit single, Sound And Vision.
After an alienating period in Los Angeles in 1976 (during the soul LP, Station to Station) with cocaine binges and the disintegration of his marriage, Bowie looked for the coldness and isolation of Berlin and lived in semi-recluse for three years. This is heard in the album that (with help from producer Brian Eno) echoes the surroundings and his feelings well.
While the first half of the album is consecutive in catchy songs and is quite easy on the ear Side B is a collection of avant-garde gloomy instrumentals which contains Bowie with an almost opera voice chanting over simple notes played on state of the art synthesisers.
Highlights on the first side are the revealing Be My Wife that exhibits much of his situation and his dissatisfaction which America: I've lived all over the world; I've left every place. It goes someway to express the despair in his defunct relationship with Angie Barnett. Breaking Glass and Sound And Vision portrait remoteness "pale blinds drawn all day, nothing to do, nothing to say" from the latter.
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2 of 2 people found the following review helpful By I. P. Hale on 23 Dec. 2007
Format: Audio CD Verified Purchase
Low is the first part of the unequalled Berlin Trilogy, recorded by Bowie when he was in Berlin. In my mind Low is the collaboration of two of the best prog-rock artists of the 70s- David Bowie and Brian Eno. Low shows a return to rock (from the blue eyed soul of the thin white duke) for Bowie. Bowie made a masterpiece in his attempt to wean himself of cocaine.

First is the vibrant Speed of Life, an instrumental it may be but don't let that put you off. The repetitive (twice over) rhythm is a classic feature of Eno's music, but is also a lot more far reaching because of Bowie's input.
Then comes Breaking Glass. This tiny little song is about a man breaking up with his girlfriend. Its irresistible rhythm (you know, you just have to tap your fingers on the table) is evidence of Bowie's songwriting collaboration with Dennis Davis (drums) and George Murray (bass).
What In The World is a bit of a letdown for the album, it hasn't aged well. The Pac-Man like noise throughout the song is quite annoying. The song's subject, a little girl with grey eyes, is thought to be part of Bowie's character (is it the same girl that features in 1971's Life on Mars?)
Then is Sound and Vision. Through many remixes and covers this timeless piece is still at its best in the original version. It is meant to be about Bowie's drug-using-hazy-forgotten what happened yesterday period.
Always Crashing In The Same Car has a slow style that makes t seem as though time has stopped. It is about another of Bowie drug induced dreams.
Next is Be My Wife. It is thought to be a last cry out to his estranged partner Angela Bowie. He apparently played it over the phone to her before recording and, briefly, the pair were together again (of course not in the same place as she lived in Zurich).
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