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"Focusing on texts both widely known and obscure, but bringing to all the same discriminating and lively intelligence, the author succeeds in doing exactly what she ascribes to such authors as Jane Austen: she breathes now meaning and life into old and constricted conventions....A fascinating and rewarding contribution to the reader's understanding of every text she considers."--Choice
"Focusing on the figure of the love-mad woman, this study provides a significant reassessment of the ways in which British medical writers and novelists of the early nineteenth century thought about madness, about femininity and about narrative convention."--Nineteenth-Century Literature
"Small's thorough attention to context, registering social and political resonances, allows her to offer genuinely fresh readings of...canonical treatments of love's madness...as well as to bring fresh interest to lesser-read works..."--The Wordsworth Circle
"Small illuminates and complicates the in
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Love's Madness makes an important new contribution to the interdisciplinary study of insanity. Focusing on the figure of the love-mad woman, Helen Small presents a significant reassessment of the ways in which British medical writers and novelists of the nineteenth century thought about madness, about femininity, and about narrative convention. At the centre of the book are studies of novels by Jane Austen, Sir Walter Scott, Charlotte Brontë, Wilkie Collins, and Charles Dickens, but Small also brings out the historical and literary interest of hitherto neglected writings by Charles Maturin, Lady Caroline Lamb, Edward Bulwer-Lytton, and others. Stories about women who go mad when they lose their lovers were extraordinarily popular during the late eighteenth and early nineteenth centuries, attracting novelists, poets, dramatists, musicians, painters, and sculptors. The representative figure of madness ceased to be the madman in chains and became instead the woman whose insanity was an extension of her female condition. Love's Madness traces the fortunes of love-mad women in fiction and in medicine between about 1800 and 1865. In literary terms, these dates demarcate the period between the decline of sentimentalism and the emergence of sensation fiction. In medical terms, they mark out a key stage in the history of insanity, beginning with major reform initiatives and ending with the establishment in 1865 of the Medico-Psychological Association. This original and highly readable study challenges previous assumptions about the relationship between medicine and the novel. A major addition to nineteenth-century studies, it will be of interest to students and scholars of literature, feminism, social history, and the history of medicine.
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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