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by John Connolly
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by Michael Connelly
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by Michael Connelly
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by Jeffery Deaver
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by Karin Slaughter
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Dublin-born John Connolly is as celebrated in the US as he is in Britain for his perfect assimilation of American idioms in the remarkable series of crime novels featuring Charlie Parker, but it goes without saying that bestselling success requires something more than nailing a US tone of voice. That such as Connolly winners as Every Dead Thing,The Reapers and now, The Lovers, work as well as they do is also down to the fact that he is able to import a striking and stylish use of language into his violent narratives. And there is another element to his work – an audacious move beyond the parameters of normality. The Lovers, like other Connolly books, transports the novels’ battles between good and evil into an almost metaphysical realm. This is always the most controversial component of his books, and inevitably, it’s not to everyone’s taste. But those who love John Connolly know such things are part of the warp and woof of his work, and they move him into a territory that is very much his own. --Barry Forshaw
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