Review
"An absolutely stunning debut novel. It is for the lovelorn, and for those in love. It is just very well-written." --Between the Lines, Oneword, July 27, 2005 --This text refers to the Paperback edition.
Book Description
The central characters - Jack, Catherine and Gold - appear as a triangle of destructive internal forces, each of them threatened with lost love and potential tragedy.
Taussig draws on his own experiences, first, in his exploration of homelessness and its common facets of mental illness and alcoholism, and second, in his study of madness and the fine line between reason and unreason.
The result is a starkly honest tale of love, sex and obsession in the twenty-first century.
From the Publisher
Set against a stark background of neo-Dickensian London, the novel delves deep into the multiplicitous nature of the self. The central characters - Jack, Catherine and Gold - appear as a triangle of destructive internal forces, each of them threatened with lost love and potential tragedy.
Taussig draws on his own experiences, first, in his exploration of homelessness and its common facets of mental illness and alcoholism, and second, in his study of madness and the fine line between reason and unreason.
The result is a starkly honest tale of love, sex and obsession in the twenty-first century. --This text refers to the Paperback edition.
From the Author
From the Inside Flap
Theirs is an obsessive love, ardent and intense while dangerously self-destructive in its all-consuming design. When at last their love realised, it exists as a delicate and fragile entity, constantly threatening to be consumed by its own intensity and their own deeply buried but explosive anxieties.
Jack's encounter with a destitute and desperate stranger - a man who believes there's no purpose in looking for love in a selfish, violent and hypocritical world - threatens to destroy not only Jack and Catherine's love for one another but their very identities.
From the Back Cover
The central characters - Jack, Catherine and Gold - appear as a triangle of destructive internal forces, each of them threatened with lost love and potential tragedy.
Taussig draws on his own experiences, first, in his exploration of homelessness and its common facets of mental illness and alcoholism, and second, in his study of madness and the fine line between reason and unreason.
The result is a starkly honest tale of love, sex and obsession in the twenty-first century.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Oh ... she, Catherine, can do anything, absolutely anything. The whole world is hers. Everyone is beautiful. She loves them all. She wants to help everyone in need, care for them all. Life has become a daydream, a carnival of magical colours, everything so bright and clear, wherever she looks. Catherine does not know why she feels so elated, so wonderful, powerful: it does not make sense. But she does know she must savour this high while it lasts: she has secretly been longing for it for some time. She stared at herself in the mirror when she got up this morning and did not quite know who she was.
Catherine puts on her headphones now as she looks at the sky again, blue, so blue. She feels like she is going inside the music, feels it so closely she becomes it. Personal identity gone. She is a soprano's voice. The pluck of a guitar string. She is so free. It feels like an orgasm; it is unstoppable. She is higher than she has ever been before, Catherine thinks. She knows she is flying too high, like Icarus she is too close to the sun. Her fall is inevitable, but she does not care. While she feels this good, may it last as long as it can... --This text refers to the Paperback edition.