Winner of 3 Golden Globes (including Best Film), Winner of 3 Baftas (including Best Actor for Bill Murray and Best Actress for Scarlett Johansson) and nominated for 4 Academy Awards (including Best Film), Lost In Translation
is a laugh-out-loud portrayal of loneliness and human connection.
Featuring superior performances from Bill Murray and Scarlett Johansson as Bob and Charlotte, two Americans in Tokyo. Bob is a movie star in town to shoot a whiskey commercial, while Charlotte is a young wife tagging along with her workaholic photographer husband. Through their respective insomnias, the two cross paths one night in the luxury hotel bar and strike up a surprisingly intimate friendship. As the unlikely pair venture through Tokyo together, having often hilarious encounters with its citizens, they ultimately discover a new belief in lifes possibilities.
Like a good dream, Sofia Coppola's Lost in Translation
envelopes you with an aura of fantastic light, moody sound, head-turning love, and a feeling of déjà vu
, even though you've probably never been to this neon-fused version of Tokyo. Certainly Bob Harris has not. The 50-ish actor has signed-on for big money shooting whiskey ads instead of doing something good for his career or his long-distance family. Jetlagged, helplessly lost with his Japanese-speaking director and out of sync with the metropolis, Harris (Bill Murray, never better) befriends the married but lovelorn 25-year-old Charlotte (played with heaps of poise by 18-year-old Scarlett Johansson). Even before her photographer husband all but abandons her, she is adrift like Harris but in a total entrapment of youth. How Charlotte and Bill discover their soul mates will be cherished for years to come.
Written and directed by Coppola (The Virgin Suicides), the film is far more atmospheric than plot-driven: we whiz through Tokyo parties, karaoke bars and odd nightlife, always ending up in the impossibly posh hotel where the two are staying. The wisps of bittersweet loneliness of Bill and Charlotte are handled smartly and romantically, but unlike modern studio films, this isn't a May to December fling film. Surely and steadily, the film ends on a much-talked-about grace note, which may burn some, yet awards film lovers who "always had Paris" with another cinematic destination of the heart. --Doug Thomas
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