Lost In The Dream
 
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Lost In The Dream

17 Mar 2014 | Format: MP3

£7.49 (VAT included if applicable)
Song Title
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Popularity  
30
1
8:52
30
2
4:58
30
3
6:02
30
4
7:11
30
5
6:51
30
6
5:55
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3:07
30
8
5:48
30
9
4:09
30
10
7:41

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Product details

  • Original Release Date: 18 Mar 2014
  • Label: Secretly Canadian
  • Copyright: 2014 Secretly Canadian
  • Total Length: 1:00:34
  • Genres:
  • ASIN: B00INE1ZFY
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (72 customer reviews)
  • Amazon Bestsellers Rank: 165 in MP3 Albums (See Top 100 in MP3 Albums)

Customer Reviews

4.7 out of 5 stars
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Most Helpful Customer Reviews

13 of 14 people found the following review helpful By UliJon on 13 Sep 2014
Format: Audio CD
Absolutely superb. I bought this solely on the strength of the amazing Red Eyes having never heard anything by the artist before. On the first listen I liked it immediately. And it's improved ever since. I now love it. It's impossible not to hear echoes of Springsteen/Petty/Dire Straits/Fleetwood Mac and Dylan but it also has a unique sound all of its own. With regards to the Springsteen comparisons; think huge soundscapes, 'big skies' and the vast plains of North America rather than bursting blood vessels and hernia-inducing saxophone solos... It's so nice and refreshing to hear guitar tones drenched in reverb and a guitarist play an extended solo or two (or three or four!). The whole tone, production and use of pianos, keyboards and synths really does give the album a dreamlike quality (as its title suggests...).

The record is just full of beautiful hooks and chord changes. It sounds so effortless and yet its dripping with emotion. A few times I've felt a tear running down my cheek for no particular reason. It's that kind of record. Stunning stuff.

The only dud moment on the entire album is the 'instrumental'. I just don't think there is much need for it when most of the songs have extended instrumental sections themselves (yes, I'm nitpicking). Overall, it just feels a very honest, genuine and heartfelt piece of work. Very evocative. And very, very good.
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27 of 30 people found the following review helpful By Wagnerman on 23 Mar 2014
Format: Audio CD
What an outstanding record this is. I have listened to The War on Drugs develop over their three albums. “Slave Ambient” was great but this is in another league. I bought it, played it, played it and played it. Not for a long’ long time have I been as impressed with an album and I have been buying records for over fifty years now.

The standout track for me is “Eyes to the Wind”. I defy anyone to play it once without wanting to immediately play it again. “An Ocean Between the Waves” is another amazing track. This is seriously good music played by seriously good musicians. Granduciel’s voice is superb and his song writing is wonderful. What a major talent he is.

I listen to a huge amount of music and have done so most of my life. When I listen to an album for the first time I always ask myself if I think I will be listening to it in a few years time. The answer is “no” for the vast majority as there is so much mediocre music around. Fortunately, every now and then an album comes out for which the answer is “yes“. P J Harvey’s “Let England Shake” was such an album. “Silence Yourself” by Savages is another. This, although in a totally different mould, is an album which, I feel, will stand the test of time.

So, we have sixty minutes of sheer pleasure. Not a weak moment on the whole album. Beg, borrow, steal or even buy a copy.
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36 of 41 people found the following review helpful By Red on Black TOP 50 REVIEWERVINE VOICE on 17 Mar 2014
Format: Audio CD
There is always a nervousness when a band returns to the fray after releasing a superb album. The last War on Drugs album, 2011's "Slave Ambient" was in this reviewers humble opinion the best thing to come out of rock music that year. To use a sprinting analogy, it was a sort of "musical Usain Bolt", always edging some very fine competition. With Adam Granduciel in the driving seat the band has a musician totally in command of his muse. It sees him accurately mix echoes of Springsteen with Can, of Petty with Neu and yet still produce a sound all of his own. Granduciel is also in a healthy competition with Kurt Vile, his Philadelphia comrade and former WOD member, that also seems to be pushing both musicians to scale new quality benchmarks. It is thus most pleasing to report that "Lost in a Dream" is every bit a match for its predecessor and a mighty album. The extra dimension is that it is also proudly a classic rock album something that certain commentators seem over ready to declare redundant.

The whole thing kicks off with a nine minute song "Under Pressure". Immediately all the WOD ingredients come together with a big build up, the melodically following guitar lines, a synthesised pause in the songs middle only for the song to return with extra power and fade out over waves of sound. An extra dimension on this new album is that Granduciel's vocals are now firmly up front in the mix. You finally realise what great singer he is, not least when the Dylanesque tones hits particularly on the lines "When it all breaks down, and we're runaways/Standing in the wake of our pain/And we stare straight into nothing/But call it all the same," The single "Red Eyes" that follows is pounding heartland rock which demands the windows rolled down and the volume turned up.
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12 of 14 people found the following review helpful By Tee Double You Bee Esq on 26 Mar 2014
Format: Audio CD Verified Purchase
Others have described the wonderful music on 'Lost In The Dream' in detail but I thought I'd share my personal listening experience. I unexpectedly lost my father in early February this year and at the risk of sounding over-sentimental have found The War on Drugs' music cathartic, meditative and buoying.

Amongst these sad-eyed songs is such a deeply resonant quality both lyrically and musically. The real beauty is in the subtle complexities - the devastating, muted piano motif in 'Suffering', the change up in fidelity at about 1:50 on 'The Ocean Between The Waves' and the exultant Springsteen 'Woo!'s on 'Red Eyes' as it gains momentum are but three blissful moments. A glib soundbite to describe the music would be 'a future-curious Springsteen playing Boys Of Summer forever'.

Like 'Slave Ambient', it takes a few listens to really get under your skin (and adjusting to such resolutely outré timbres as the syn-drums on 'Disappearing') but then becomes indispensible as your ear picks out more details with increased familiarity.
I love this album.
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