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Although the book is clearly set in the 30's with a British perspective, many of the themes struck me as universal. As the book opens, there's an intriguing prologue that sets just the right tone for the story. You are to read a manuscript about the experiences of one Hugh "Glory" Conway, H.M. consul. The manuscript opens with airplane hijacking that seemed all too realistic. Quickly, the hijacking turns into a surprising adventure as the passengers unexpectedly arrive in a little known part of Tibet and are escorted to Shangri-La, a lamasery sitting atop a hidden valley of peace and tranquility. While there, they await an opportunity to arrange passage with the bearers who are bringing a shipment that is expected in 60 days. Conway, however, learns the secrets of Shangri-La and finds himself faced with an extraordinary set of choices.
To me, Shangri-La is a metaphor for the mental tranquility that many spiritual practices can bring. For anyone who has enjoyed these practices, you will know that it can be tempting to withdraw totally into them. To do so can be delicious, especially for the frazzled soul. At the same time, we are made of flesh, blood and boil with emotions that seek their venting through action. How can the two instincts be reconciled? You are left to come to your own conclusions, and that's one of the great beauties of this fine book.
The book has several weaknesses that will bother most readers. Except for Conway, the character development is minimal. The book is too conveniently filled with people in Tibet who speak perfect English. Morality is held a little bit too much in suspense for the book to be as spiritual as it had the potential to be. There's a heavy overlay of British Empire perspective that will seem remote to current readers as well.
The ideal reader for this book is someone who enjoyed Butler's Erewhon or H.G. Wells's The Time Machine.
I was left thinking that we each need our own personal Shangri-La today more than ever. May you find a way to carry it with you!
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