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The recent 'Shady Lady' also has regular people characters, but somehow they're a little too ordinary. Mack and Cady manage to be normal but still transcend the ordinary enough to be belivable as hero and heroine.
Cady Briggs is an expert at what she does. She identifies art and antiques. She is part of well known and respect family that owns one of the leading art galleries in the world. Doing a little independent work, she hooks up with Mark Easton who runs a low profile investigating company on the web. This sets up the beginning of the book with a little flirtation involving email and phone calls.
Then Cady's aunt dies and leaves her controlling interest in the family's business, Chatelaine's. Cady and Mark pretend to be engaged to determine why Cady's aunt backed out of a merger the entire family was in support of just before her death.
There are several different plots in this story that all lead back to the aunt's death. I don't know why the first three-fourths of the book didn't work. In fact, it took me two weeks to finish this book. However, I am glad I finished the book, because the last one-fourth of the book is pure Krentz. The characters came alive, the dialogue picked up, and I never picked up on who the real murder was even after skimming the ending before I finished the book.
I would love to give a glowing review of this book just because I love JAK's writing, but it isn't going to happen. If you have read Krentz throughout her career, don't expect the same caliber as her earlier writings.
The plotting in Lost and Found is good; there are plenty of lively, well-realized secondary characters who "coulda dunnit". They move the narrative along swiftly and I was stumped right up to the end as to the real villain. The secondary characters are inter-connected logically and emotionally. JAK handled that part of the narrative flow very smoothly, with none of the jarring inconsistencies or too-obvious plot lurches that have marred some of her books. So full marks there.
The trouble is the weirdly flat emotional tone between the "lover" main characters. The most affecting character is unhappy, lonely Aunt Vesta. There's potential emotional fodder a-plenty: Cady fears becoming like her Aunt Vesta, yearns for children, is plagued by old fears; Mark--in a wonderful departure for JAK--is a widower w/ a teenage daughter, a great dad, mourns his dead wife but needs to move on to being a lover/mate/companion again. The resolutions Cady and Mark--and his confused, conflicted daughter--reach are more outlined than illuminated. The scenes are there, the build-up is done, the trademark sparkling Krentzian dialogue is there, but they barely touch the emotional underpinnings before skimming on.
I loved Eclipse Bay; it's vital, vintage JAK. When her focus is firmly on romance, details seem to pretty much take care of themselves. And even if they don't the vividness of her romantic imagination more than compensate. When she's doin' that voodoo she do so well, few can match her. (Sorry, lousy grammar but that's the riff...) She's a storyteller of romances. Her strength is the sting, song and chemical burn of romance. When she gets too far away from those roots she falters.
Unfortunately, Lost and Found falters. If marketed to pure mystery fans, it'd be a solid, workmanlike product. Romance fans, seeing her name on the cover, will probably feel very shortchanged and overcharged.
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