I'd only heard the odd track by Warp's new prodigy Flying Lotus from what i presume were his previous releases, and they gave me the impression that this was an artist with an idea on how to take glitch-hop and turn it into his own 'thing', but didn't have the focus to push it through.
How this album proved me wrong. On reading a couple of positive reviews comparing his to prefuse 73, who is a personal favourite, and claiming that he was 'inspiring a new generation of warp-heads', i bought the album and am thoroughly gratefully i did.
The mix of inventive percussion, skipping glitchy beats, synth patterns, and hints of vocals really comes together, and is bound together by some really slick and beautiful production, which elevates him above most of his contemporaries in my opinion. He has not been bound by the trademark 'warp' sound, and has crafted one entirerly of his own.
On first listens the album seemed a tad samey or the tracks indistinguishable, but that feeling is soon done away with on multiple listens, and each track is revealed to have it's own layers, feel, and rhythm, as this is very much a rhythmic, percussive album. Also, the work seems cohesive, rounded, and together, which is to Flying Lotus's credit, as the tracks merge into each other seemlessly.
Overall; a contender for album of the year, and highly recommended.