'Lord of War' is a film which follows the life and career of Yuri Orlov (played by Nicholas Cage, who was also a producer), a Russian man who moved with his family when a young boy to the USA; for almost all his adult life he has been a professional international small-arms dealer. On Blu-ray it looks excellent and, despite the audio soundtrack 'only' being Dolby Digital 5.1, sounds very good.
As there are spotlights on tragedy, strife and morality it is perhaps tempting to pigeon-hole the genre of the film more precisely, but I would label it as a drama with some elements of being a thriller (so don't expect anything like 'Die-Hard' !). However, I am quite certain that it is not, as the Amazon synopsis refers to it, a 'black-comedy' in the general sense of how I judge such films; I don't think there are any laughs to be had nor opportunities to refer to various occurrences as bleakly ironic. There are obviously some very serious aspects to what it depicts, namely: the often nasty personalities involved and eventual victims of the 'products' being bought/sold, but the overall aim is to 'lighten' the associated moral messages with stylistic, often novel, production-values and a snappy musical soundtrack. Be in no doubt though, that whilst the presentation is designed to entertain the overall aim is to inject those moral messages into your thought process....
The opening of the movie reinforces that concept, by way of an artistic collation of scenes depicting the 'journey' of a bullet from manufacture to being fired into the head of a young African boy who himself is firing a gun; aside from being unusual in presentation, the message derived from what we see is clear - things are usually dealt with more subtly from then on. We are then introduced to Yuri, by himself, and see the rest of the film (which covers a period of several decades, starting in the 1980s) from his viewpoint with him providing regular voiceover 'annotations'. As we not only see his globetrotting activities, but also 'hear' his thoughts (which obviously often raise contradictions !), some attempt can be made to understand the dilemmas he often finds himself in whilst remembering all along that he is arms-trading voluntarily and for profit, so ultimately we should feel little sympathy for him. We also see how his profession affects his personal life and essentially that his apparently pleasant persona is really a veneer covering someone who is really quite cold and without scruples. Finally, interspersed amongst his primary dealings, the attempts of officialdom to bring him to justice are covered....
The production-values (signposted by that previously mentioned opening sequence) of this film are excellent, with many stylish scenes involving dramatic action, explosions, backdrops and tailored musical accompaniment. The action involves those explosions, some flying sequences, a dramatic aircraft landing and (of course) quite a bit of weaponry being fired. It is notable to observe that little, perhaps no, CGI is used for the special-effects although a bit of digital jiggery-pokery clearly is employed when the cast and ironmongery or explosions get into close proximity ! In the same vein, almost all the weaponry is genuine - right down to us seeing several thousand rifles stored in a warehouse or a long row of smartly presented Russian T-72 main-battle tanks !
Without giving anything important away, a good example of the type of production you can expect would be a short slow-motion scene where Yuri watches a 'customer' firing a Kalashnikov rifle, which is accompanied by the song 'Money (That's What I Want)' by the The Flying Lizards with each cartridge ejection embellished with the sound-effect of a cash-till 'ringing'. Similarly, and for once, it is safe to watch the 2min theatrical trailer (Internet video sites have it) to get an idea of the way the film is made and will pan out, without spoiling a later viewing of the complete movie....
Contrary to some other reviewers I found the HD image to be sharp, bright and clear without any obvious or intrusive grain or 'snow' to spoilt things; the reproduction of black-levels and scenes in dark surroundings (of which there are quite a few) is especially good. Similarly, the soundtrack has great clarity and is very lively, despite 'only' being Dolby Digital 5.1; this movie on Blu-ray shows that, like the similarly specified disc of 'The Island', you don't necessarily need an HD audio format to produce the necessary level of clarity and power for the sound to be impressive.
This disc includes an insightful director's commentary, several featurettes/interviews (the words from which often are included in the featurettes so there is some repetition), deleted scenes and a trailer - all in all a Blu-ray worth getting and watching.