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With a trophy wife (Bridget Moynahan) who's initially clueless about his hidden career, and a younger brother (Jared Leto) whose drug-addled sense of decency makes him an ill-chosen accomplice, Yuri traffics in death the way other salesman might push vacuum cleaners (he likes to say that alcohol and tobacco are deadlier products than his), but even he can't deny the sheer ruthlessness of the Liberian dictator (a scene-stealing Eamonn Walker) who purchases Orlov's "products" to expand his oppressive regime. Niccol's themes are even bigger than Yuri's arms deals, and he drives them home with a blunt-force lack of subtlety, but Cage gives the film the kind of insanely dark humour it needs to have. To understand this monster named Yuri, we have to see at least a glimpse of his humanity, which Cage provides as only he can. Otherwise, this epic tale of gunrunnng would be as morally unbearable as the black market trade it illuminates.-- Jeff Shannon
Uri Orlov is at a dead end. He works in his parent's diner and lusts after the local beauty queen, but he's a nobody, a nothing. To wake from the nightmare and start living the American Dream he begins hawking small arms to local gangsters and after a trouser staining first deal finds that he has something of a talent for it.
As he moves up the food chain he draws attention from other traders (Ian Holm) and the Feds (Ethan Hawke) and even manages to land his beauty queen. But his high maintenance lifestyle becomes harder to sustain, and there are other prices to pay. His brother falls foul of drugs and he develops an uneasy friendship, of sorts, with a genocidal African dictator (Eamonn Walker), meaning he has to make some serious compromises with his own morals.
Director Andrew Niccol presents us with a stylish, blackly comic movie which is thoroughly entertaining but never quite hits the mark - which can't be said for the copious amount of bulets in the film. Niccol doesn't seem to be able to make up his mind whether he wants to give is a biopic (the movie is 'based on true events) in the style of Goodfellas, a political parable (it's easy to draw inferrence from a Russian/American arms dealer selling guns to an African madman to be used against his own people, especially given America's well documented reticence during the Rwandan genocide of the mid nineties), a thriller or an action movie. What he does give us though is definitely worth purchasing, if only for the opening sequence, which follows a bullet from production to its ultimate, deadly end.
I remember leaving the cinema after watching this and saying to my friend, "I hope they put some decent documentaries on the DVD" and it seems that they have, as the extras list includes a look inside the arms trade. My copy is pre ordered - I suggest you order your now.
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