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Lord of Snow and Shadows (The Tears of Artamon) [Hardcover]

Sarah Ash
4.3 out of 5 stars  See all reviews (9 customer reviews)

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Product details

  • Hardcover: 496 pages
  • Publisher: Bantam Press; paperback / softback edition (1 May 2003)
  • Language English
  • ISBN-10: 0593049837
  • ISBN-13: 978-0593049839
  • Product Dimensions: 23 x 15 x 3.8 cm
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Bestsellers Rank: 1,127,177 in Books (See Top 100 in Books)

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Sarah Ash
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Product Description

Amazon.co.uk Review

Sarah Ash earned critical acclaim for three 1990s fantasies and now opens a more ambitious fantasy sequence with Lord of Snow and Shadows, book one of "The Tears of Artamon".

Young hero Gavril is working as portrait-painter to the lords and ladies of Muscobar, a dukedom with a Renaissance flavour. Little does he know that his true father is Lord Volkh, the "Drakhaon" of a far more grim realm in wintry Azhkendir. Volkh's murder brings Gavril not only the throne--forced on him by dourly loyal henchmen--but demonic powers which exact a terrible price. Physical transformation is only the beginning. Yet it seems these powers must be used, because Ashkendir is threatened by spies, traitors, the vengeful spirit of Volkh himself, and external invasion.

High magic mixes with devious politics in Tielen, a princedom whose dreams of empire are supported by technomagical weaponry, "shadowsilk" invisibility cloaks for commandos, and men debased into werewolves. The southern mountains of Ashkendir lie between Tielen and its next goal Muscobar: too bad for Gavril's people. Except that Gavril himself is becoming something close to a nuclear deterrent--dangerous not only to foes.

Further complications involve blood feuds within Ashkendir, and Gavril's unwilling friendship with the man he's fated to kill; a servant girl who has unknowingly inherited the talent of Ghost Singer, able to sing the dead back from the afterworld; Gavril's mother, who becomes a political pawn; and a curse that "crops will fail, winters never end" until Volkh's raging ghost is satisfied.

Well written and smoothly readable, The Lord of Snow and Shadows offers an original flavour of fantasy that will have readers holding their breath for the sequels. Book one ends satisfyingly, but this respite is only a pause in the war, which will soon enter a new phase. --David Langford

Review

Cutting through today's legions of fantasy dross, Ash combines the best of fantasy traditions with her own vision, bringing to life a new saga filled with epic adventure. Far-reaching in scope, Lord of Snow and Shadows marks the first step on a journey into a world teeming with political intrigue and magic. All Gavril Andar has ever known of life is the sunny clime of his southern home, his beautiful mother, and his love of painting, until his peace is shattered - and his destiny decreed - by the arrival of a group of fierce clan warriors from the north. Soon, he must ascend to the throne of Azhkendir, changing into a being of extraordinary power. It's more and more difficult to make a mark in this jostling field, but the auguries are good for Ash.

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Customer Reviews

9 Reviews
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Average Customer Review
4.3 out of 5 stars (9 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

4 of 5 people found the following review helpful:
5.0 out of 5 stars Dark and fascinating, 9 Feb 2004
By 
Marie Lambert (Coventry, UK) - See all my reviews
(REAL NAME)   
The first part of the Tears of Artamon trilogy promises good things for the two succeeding parts. It is a deeply dark novel, with a fascinating story and an intriguing main character. Sarah Ash constructs her characters well and creates a cast with believable, three dimensional personalities. The story is compulsive, the pages turn almost by magic, and personally I can't wait for the next installment.
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3 of 4 people found the following review helpful:
5.0 out of 5 stars Fantasy at its best!, 25 July 2003
By 
wicce_k "wicce_k" (uk) - See all my reviews
(VINE VOICE)   
This review is from: Lord of Snow and Shadows (The Tears of Artamon) (Hardcover)
I haven't come across this author before, but after reading just the blurb i knew that i had to read it, and what a fanatasic read it is.
Sarah Ash brings the reader into a world that is like our own, with men determind to find power through the means of war and conquest. The unhappiness of Muscobar reminds me of the calls for revolution in early 20th Century Russia. However, the old and ancient race,a Drakhaon, all depends on Gavril who only wishes to remove the dragon/serpent from his heart. Full of the enchantments of sorcerers, the songs of the ghost singers and the desire of men clashing and conflicting, an ever moving plot stops the reader thinking ahead, and the story getting stale.
Full of so many twists and turns its a thrilling and intoxicating peek at this beautiful series and i only hope that this brilliant British authoress, Sarah Ash ,writes the next book soon, as i personally cant wait!
For other thrilling fantasy i recommended His Dark Materials triology by Phillip Pullman.
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5.0 out of 5 stars A promising start, 31 Aug 2011
Sarah Ash's new trilogy opens with the artist Gavril Andar falling hopelessly in love with Astasia, the daughter of the Duke of Muscobar. Fortuitously he discovers that he is the son and heir of the recently assassinated ruler of Azhkendir, a buffer state between Muscobar and Tielen. Naturally he hopes that this might be the answer to his romantic problems. However, the Duke of Muscobar hopes to marry Astasia off to Prince Eugene of Tielen in a bid to avoid a ruinous war. To further complicate matters, Gavril soon discovers that he has inherited more than a bleak, poverty-stricken northern state. The dynasty to which he is heir is founded upon possession of (or, rather, by) a demonic force that will gradually devour his humanity but which he must use if he is to avenge his father's murder and defend his people against Tielen aggression.

The place names locate this novel rather too obviously in a mythical analogue of Russia. That quibble aside, Ash develops her world with loving attention to detail, building up a vivid picture of a late eighteenth century or early nineteenth century Russia without the external threat of Napoleon (we are told that Prince Eugene's father decisively defeated Francia in a sea battle a generation earlier) but also without the internal unifying force of a czar. The result is a collection of squabbling duchies at various stages of modernization. In some senses Muscobar is the most modern with the common people beginning to resent the aristocrats who exploit them. At the other extreme, Azhkendir remains thoroughly feudal much to the discomfort of Gavril who has been brought up in decadent Smarna.

One of the strengths of Ash's writing is her characterization. Even her minor characters feel like real people rather than stock figures. You feel that their words and actions are driven by their various personalities and situations rather than the demands of the story. As for the major characters, they are in most cases complex figures with complex personalities and motivations. Take, for example, Prince Eugene of Tielen. He could so easily have been presented as the stock villain of the novel and Ash makes no secret of his obsessive vision of a Rossiyan Empire reunited under his leadership. However, she forces us to sympathize with him by making him the viewpoint character at various points. Thus, in addition to Eugene the ruthless expansionist we get to see him as Eugene the loving father of sickly, crippled Karila. He is torn between the memory of his dead wife and the political expediency of marriage to Astasia Orlov. Perhaps most surprising is the barely suppressed homoeroticism in his feelings for his young protégé Jaromir Arkhel, the last survivor of a dynasty that once challenged Gavril's father for the throne of Azhkendir.

Given the demonic aspect of Gavril's inheritance, it is no surprise that the supernatural plays an important part in this novel. Ironically Gavril initially denies the existence of magic and the supernatural and only reluctantly comes to acknowledge the true nature of his inheritance. Prince Eugene has no such doubts and makes full use of the skills of his court alchemist to bolster his military advantage (for example, turning condemned criminals into werewolves to be used as a kind of commando force).

Magic of a different kind plays a crucial role in Gavril's struggle with the demon he has inherited. As he settles into his new role as ruler of Azhkendir, he befriends the serving girl Kiukiu. Like him, she is an outsider. Although a faithful servant of the Nagarian line, she is despised because her mother had been seduced by a follower of the hated Arkhel clan. However, and again like Gavril, she has inherited something more from her father. She discovers that she is a guslyar, a `ghost singer' with shamanistic powers - powers that she uses to aid Gavril.

The book is very well written and Ash brings it to as satisfying a conclusion as is possible in the first volume of a trilogy. Naturally, since it is a first volume, she has salted it with unanswered questions to pique the reader's curiosity about what happens next. I am certainly looking forward to the next stage in the larger story.
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