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Product details
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| 1. Foundations Of Stone |
| 2. The Taming Of Smeagol |
| 3. The Riders Of Rohan |
| 4. The Passage Of The Marshes |
| 5. The Uruk-hai |
| 6. The King Of The Golden Hall |
| 7. The Black Gate Is Closed |
| 8. Evenstar |
| 9. The White Rider |
| 10. Treebeard |
| 11. The Leave Taking |
| 12. Helm's Deep |
| 13. The Forbidden Pool |
| 14. Breath Of Life |
| 15. The Hornburg |
| 16. Forth Eorlingas |
| 17. Isengard Unleashed |
| 18. Samwise The Brave |
| 19. Gollum's Song |
Review With the fellowship now splintered into three, the score of the second part becomes more complex than the first, weaving between the plot strands with different musical themes. Leitmotifs are picked up from the first soundtrack, for example, the perky Hobbit anthem in "Samwise the Brave", and new ones developed as the groups diverge.
The music is mercifully far from airy-fairy. It begins with the fulminant "Foundations of Stone", all serried choirs and pounding percussion. The dark elements invoked in the earlier score now dominate as the struggle of Frodo and friends becomes more intense. But the endless succession of unresolved crescendos and the ever-escalating sense of doom get a bit much.
Elizabeth Fraser (of Cocteau Twins fame), Sheila Chandra and Isabel Bayrakdarian provide banshee accompaniment so high that it approaches ultrasound. The closing track, "Gollum's Song", is an instant winner.Performed by Iceland's latest singing elf Emiliana Torrini (and originally intended for Björk), this elegy is tormented, twisty, infinitely strange. An Icelander singing in English sounds far more otherworldly than the choirs singing in Old English and Tolkiens made-up Sindarin.
Fine qualities aside, the soundtrack is ultimately marred by the partial nature of its form. Driven by the visuals, not its own logic, it is a series of musical vignettes rather than an organic whole. And since Shore has conceived the score for all three films as a single orchestral whole, the music of the middle section by definition lacks resolution.
Die-hard fans of Tolkien (are there any other kind?) will cherish this album as a painstaking musical description of the Middle-earth mythology. The rest may admire its ambition and the haunting set pieces, but without a deep knowledge of the film or books they will inevitably find it... middling. --Morag Reavley
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Most Helpful Customer Reviews
14 of 14 people found the following review helpful:
5.0 out of 5 stars
People should understand ...,
By
This review is from: Lord of The Rings - The Two Towers - Original Soundtrack (Audio CD)
First, and above all else, I'd like to point out that Howard Shore possibly wrote the most complex, the most enjoyable, the most suitable and the most atmospheric movie score you can find out there. The amount of thematic material that Shore juggles around with without losing his concept is nothing less but breathtaking. But before I dig deeper into this Eldorado of film music, I want to make clear one thing: The Lord Of The Rings is one movie, split into three parts, and so is the score. Now, The Two Towers takes a special place in the trilogy, for it being the middle part of it. As the linking piece between Fellowship and Return Of The King, it has to fulfill unique tasks. First of all, it has to continue the first part, but it has to introduce us to the culture of Rohan, too. Howard Shore does this masterfully. Here and there, he incorporates thematic ideas from Fellowship and takes them to the next level by using slightly different orchestrations. Howard Shore introduces many new themes here and alters his already established motifs in a way that it prepares us for Return of The King, in which these changes are alot more prominent and also stronger. The range of emotions this score creates, is enormous; it makes your adrenaline rush, your hair raise and your eyes wet.
10 of 10 people found the following review helpful:
5.0 out of 5 stars
An excellent soundtrack!,
By Katie (West Midlands, United Kingdom) - See all my reviews
This review is from: Lord of The Rings - The Two Towers - Original Soundtrack (Audio CD)
To any Lord of the Rings fans out there that haven't already got this soundtrack (or the first one for that matter) - what are you waiting for, buy it!When I listened to the soundtrack for the first time after watching the film, the scenes fitted into place incredibly well. Each group of people (or other middle-earthly creatures) seem to have their own recurring themes - be it the Uruk-hai, Aragorn, Legolas and Gimli, Gollum, the Elves or the Rohan. Because of this, some of the themes are similar to those of the Fellowship's soundtrack, but I feel that being a trilogy with the same characters throughout, this is to be expected. I loved Gollum's Song sung by Emiliana Torrini at the end of the soundtrack and having listened to it at the end of the film (credits) I feel that it ended both the film and the soundtrack on an eerie note of anticipation. I can't wait for the The Return of the King to come out, and would like to say that Howard Shore has done an excellent job in writing the score for the Two Towers - well done!!!
23 of 25 people found the following review helpful:
4.0 out of 5 stars
Lord of the Rings: The Two Towers,
By A Customer
This review is from: Lord of The Rings - The Two Towers - Original Soundtrack (Audio CD)
To begin with there is a repeat of some themes heard from the Fellowship of the Ring but the music in TTT is more dramatic. Unfortunately it doesn't include the music from the trailer (it is a remix of Requiem For A Dream) the rest of the tracks are very good/excellent. Some tracks start slow and seem to drag on a bit but the majority are excellent such as "Helm's Deep", "The Hornburg" and the haunting voice of Emiliana Torrini in "Gollum's Song". The tracks may need to be listened to a few times to get a feel of it's place in the film, although classical music lovers will enjoy this immensely. With 19 tracks and enhanced CD-Rom it is well worth every penny
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