Lord of Light [Paperback]

The novel follows Sam, who is Mahasamatman, Binder of Demons, Lord of Light, aka Siddhartha; Tagatha; Buddha…etc etc. Unhappy with the decadent behaviour of his fellow Gods he plans a revolt against Heaven to end the inequality between them and their worshippers.
It’s an absurd premise, but Zelazny’s masterful style transforms it into a credible and compelling novel.

It’s written in the language of Myth and Legend – interspersed with relevant passages from the Upanishads – which is occasionally, and sometimes amusingly, dragged into the focus of reality by Sam’s laconic ‘Urath’ wit and terminology.

For all its mythic nuances and Science Fantasy shell, ‘Lord of Light’ is rooted very solidly in Science Fiction. Although occasionally drawn into the psychedelic and fantastic world of Gods and Demons we are always drawn back to the fact that these creatures were once human, changed beyond recognition by what are merely very powerful toys.

Zelazny explores this theme again later in his Amber series, where Corwin (like Sam) is estranged from what is essentially a family of Gods and is forced by circumstance to return to bring change to their somewhat stagnant and decadent society.

This novel, however, has more to do with Absolute Power Corrupting Absolutely, set against a background of a war of ideologies.

It’s an interesting point to make in Late Sixties America where Anti-government protests were at a peak. ‘Sam’ after all, is a euphemism for the spirit of America itself so maybe there is a case to be made for seeing this as Zelazny’s allegory of American society rising up to change the status quo. The Sixties of course, also brought us a fascination with all things ‘Eastern’ (as the Twenties did with all things Egyptian) and Zelazny certainly exploits that here.
Interestingly, one of the seminal SF novels of the Sixties, ‘Dune’ follows a remarkably similar plot line, in that an exiled member of the aristocracy – thought to be dead – joins the common people and rises up against a decadent system of government.

The story centres on an off-Earth colony which has come to be utterly dominated by its founders, who rule with the names, personalities and even the attributes of Hindu gods. With the injection of SF technology, social and political control pivot upon Hindu tenets with a futuristic twist. Reincarnation functions through personality-storage and cloning, allowing effective immortality for the gods, and some very bad karma for any who oppose them. The populace is held in a permanent low-tech state to ensure it continues to need its gods; innovations that might benefit mortals, such as the printing press, are swiftly eradicated.

Stylistically, too, it is brilliant. The whole thing takes the form of a Hindu epic, in terms of both language and structure. The hero, Sam, rebels against the gods by (literally and figuratively) taking on the Buddha role, preaching against the priesthood and the oppressive rituals and strictures which bind society. And through this, Zelazny brings out some of the most interesting implications of his blend of SF and myth, exploring how the 'gods' have merged with their masks to truly _become_ their mythic roles.

Finally, and importantly, _Lord of Light_ also contrives to be a truly entertaining read. Deservedly a classic.

One of the main strengths of this book, as we have a large set of fully realized characters, each with their own motivations and desires, whose interactions form a complex weave of happenstance and emotional intertwinings, that give the novel a unique order and flow, and are sure to evoke multiple responses in the reader.

The prose style is more than adequate to the task here, sometimes brilliantly, almost poetically descriptive, at other points understated, leaving items just slightly nebulous, ready for the reader's imagination to complete. And the religious statements will burrow into your mind, forcing little cracks of enlightenment and quiet meditation. The story is not told in linear order, which some may find a little confusing, but as each piece of the story is unfolded and wrapped into the whole, it forms a mosaic that layers in your mind, building a tightly interlocked edifice of strength and stature.

Zelazny here has managed to create an archetype, a legend for modern times, with real relevance to the reader's everyday life, with a great promotion of life philosophies without preaching. Sadly, Roger is no longer with us, there will be no more of these brilliant tour-de-forces, but this will stand as one of his finest gifts to the world. A gift that everyone can enjoy and appreciate.

--- Reviewed by Patrick Shepherd (hyperpat)